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Keeping mystery on trackThe Ghost Train
Belgrade Theatre
**** IT
IS a stormy night and six weary travellers look as though they must
spend the night on a windswept and isolated Cornish railway station.
The year
is 1926, the outlook is bleak and the company is already irritable.
Company Director Richard Winthrop (Dick – Ben Roddy,) who has a sergeant
majorly air about him, and his independently spirited wife Elsie
(Corinne Wicks) are married a year and at war. Newly
unemployed and desperate Charles Murdock Teetotal
Miss Bourne (Judy Buxton) travelling alone with bird in cage sleeps
through the
whole endeavour
after a shot of recuperative brandy. Teddy Deakin (Tom Butcher),
previous owner of brandy and a superficial air of triviality and humour,
has been the cause of their mishap though losing his hat. The
station master Saul Hodgkin (Jeffrey Holland -
pictured) in broad Cornish refuses their pleas to
stay with them overnight because it is the 20th
anniversary of a serious and fatal rail crash at the very spot. The
ghost train of the title is expected at 11pm and he is off – thank you
very much! A fair
number of the characters aren’t what they seem but everything turns out
OK in the end . . . This play, from Arnold Ridley (Private Godfrey in
Dad’s Army if you’ve forgotten) was inspired by a real event and written
together with a large body of other work when times were hard in the
acting profession. It was the longest running play in the West End for
years and has also been made into a film a few times, so it is an
interesting revival. There are,
to be fair, a number of holes in the plot, but who cares? It’s a very
entertaining story and gets even better when a strange and rather trying
trio arrive in full evening dress. Julia Price (Jo Castleton) in the
most gorgeous handkerchief dress, does a histrionic turn about the
train’s appearance, her brother Herbert (David Janson) doesn’t stay and
a so-called doctor (John Hestor) presumably from some sort of asylum
takes care of Julia’s nerves. The set is
a marvel, managing to imply so much from so few clues, mainly lighting
and sound special effects. All in all, the twists and turns of plot are
a mind-mangling treat, the traditional nature of the production,
directed by Patric Kearns, is great homage to a great story told well –
which is what we want. I particularly liked the start, even before the
curtain went up, when a lovely plumy Received Pronunciation voice with
vestigial Home Service overtones, read us the cast list and left us to
it. To 16-05-15 Jane Howard
12-05-15
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