Stars explained: * A production of no real merit with failings in all areas. ** A production showing evidence of not enough time or effort, or even talent, and which never breathes any real life into the piece – or a show lumbered with a terrible script. *** A good enjoyable show which might have some small flaws but has largely achieved what it set out to do.**** An excellent show which shows a great deal of work and stage craft with no noticeable or major flaws.***** A four star show which has found that extra bit of magic which lifts theatre to another plane.
Half stars fall between the ratings

cast

Hannah Danby, left, as Jane, Chris Kay as Dennis,, Shelly Blackmore as Pauline, and Stefan Austin as Roger. Pictures: Colin Hill.

One for the road

The Nonentities

The Rose Theatre, Kidderminster

****

One of Willy Russell’s lesser known works, One For The Road was first written in 1976 but was revised and updated by Russell in 1985. There are many references to the period, such as Terry Wogan as a prime time interviewer, Russell Harty, Richard Clayderman and Margaret Thatcher’s tax policy, which may have gone over the heads of anyone under the age of 40 but that doesn’t get in the way of the fun.

The action takes place in the living room of a typical suburban house complete with a swinging door that leads into the kitchen and a serving hatch that is used many times to great comic effect. The decor is very much of the period with great attention to detail even down to the authentic looking gaudy curtains that would have been de rigueur.in all the best middle class households of the time. And of course, there’s the Queen Anne bureau against the wall, which plays a very important role.

The plot is centred around a small dinner party given by Pauline to celebrate the 35th Birthday of husband Dennis, which is attended by neighbours Jane and Roger and the underlying tension of surviving a mundane existence which gradually unravels as the evening progresses.

There are many laugh out loud moments which the cast deliver with perfect comic timing.

couple

Chris Kay as an elevated Dennis with Shelly Blackmore as wife, Pauline

Just exactly who has been decapitating the garden gnomes and painting the neighbour’s home grown vegetables to give them the appearance of intimate human parts?

The constant interruptions of Dennis’s parents on the phone, who are desperately trying to find their way to the house but never actually arrive.

Then there’s the running joke of Dennis’s loathing of country singer John Denver which comes to a magnificent punchline in the final act.

Chris Kay as Dennis uses many facial expressions to deliver a convincing performance of a man who hides a few secrets and a desire to escape his typical run of the mill life. Digging a tunnel under his kitchen a la The Great Escape isn’t beyond him.

His long suffering wife is ably played by Shelly Blackmore who tries to impress her guests with her culinary skills by cooking hachis parmentier which turns out to be a posh version of good old cottage pie.

The sophisticated neighbour Jane is played with appropriate superiority and snobbishness by Hannah Danby. However the facade of her seemingly perfect life fades as the night goes on.

Stefan Austin as Jane’s husband Roger initially comes across as a confident ‘one of the blokes’ but it turns out he has been hiding quite a few secrets himself.

It’s clear that the cast were enjoying the absurdity of their roles and played on the obvious chemistry between each other.

Congratulations also, to Director Richard Taylor for delivering a nostalgic and thought-provoking evening of delightful and amusing entertainment. To 31-01-26.

Alan Birch

26-01-26

The Rose Theatre

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