Reviews
Stars out of five

See How They Run

Aldridge Youth Theatre

****

HOW would a group of modern teenagers cope with this Philip King farce which entertained Second World War troops?

Any doubts were soon dispelled though as the young cast simply revelled in the crackpot story.

Remember the format? Vicars – and even knickers – doors opening and slamming shut, people dashing around in their undies, mistaken identities and an escaped German soldier!

The cast of nine had to be fit to cope with it all, and they were rewarded with cheers at the final curtain.

Amy Tregellis was superb as Penelope Toop, the former actress wife of the Vicar of Merton-cum-Middlewick in 1943 while the village’s straight-laced spinster Miss Skillon, was played by Phoebe Ash who excelled in one of the drunken scenes.

Daniel Foster was convincing as the anxious Rev Lionel Toop, trying his best to cope with his bubbly wife and the parish busybody, and it was laugh-a-minute entertainment with the unexpected arrival of Penelope’s old acting colleague Daniel Boot, now a Lance Corporal, and further chaos when the on-the-run German officer (Adam Webster) gets in on the act.

Excellent performances, too, from Grace Tregellis (Ida, the maid), Charles Thorn (the Bishop of Lax), Josh Bosman (the Rev Arthur Humphrey) and Ben Johns (Sgt Towers).

Impressively directed by Patricia Harrison, See How They Run ran to 26.09.15

Paul Marston

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Ghost the musical

Lichfield Garrick Youth Theatre
Lichfield Garrick

****

THIS is the final production of the company’s 30th anniversary year, and once again they have hit the jackpot.

Ghost, with all its difficult technical demands, is an extremely challenging musical to stage, especially as there is currently no set available for hire.

But the off-stage team have managed to create a remarkable spectacle with the use of multi-coloured, moving scenes of New York’s busy streets and illuminated skyscrapers, sometimes seen through the windows of Sam and Molly’s Brooklyn apartment.

And there is a remarkable piece of choreography and lighting skills when the ensemble dance with multiple umbrellas in a realistic rain storm.

Young banker Sam is murdered by a mugger after a night out with artist Molly, and the heartbreak story tells how he finds himself between worlds and sets about tracking the killer, with the help of a dodgy psychic, while trying to protect his lover.

Dominic Sterland and Lydia Gardiner sing beautifully as the tragic couple, particularly with the haunting Unchained Melody, and there is a sparkling performance, full of well-timed humour, from Lucy Foley, playing the colourful psychic Oda Mae who is able to communicate with the desperate ghost.

Will Stevenson impresses, too, as Sam’s colleague and friend, Carl, who turns out to be anything but, and Esme Wade excels in the lively role of the subway ghost.

Directed by Richard Poynton, with Jessica Lambert’s choreography and Oliver Rowe’s musical direction, Ghost the Musical runs to 26.09.15

Paul Marston

24-09-15

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For One Night Only

Lichfield Garrick Youth Theatre

Lichfield Garrick

*****

THIS stunning concert was staged to celebrate the 30th anniversary of the successful youth theatre and featured 50 current and former members.

Some are now appearing in the West End or pursuing professional acting careers elsewhere, and the show deservedly received two memorable standing ovations. It was that good.

The best tribute I can pay to the young people on stage is to avoid mentioning any individuals. They were all oozing talent and brimming with enthusiasm and confidence in songs from many of the great musicals, some of which had been performed by the company since it was set up by Pat Gibson in 1985.

On reflection, however, it is only right to refer to the major part played by musical director and chairman Oliver Rowe who joined the youth theatre when he was 13. He not only conducted the excellent orchestra, but stepped forward to lead four other members of the cast in singing two numbers from West Side Story.

It really was an outstanding one-nighter, enjoyed by a packed Garrick audience who were clearly thrilled by the standard of contributions with many of the hits from Les Miserables, Phantom of the Opera, Fame, The Wizard of Oz, Oliver, Guys and Dolls, Little Shop of Horrors, and many more.

The programme ended with a selection from the company’s next big show – Ghost, the Musical, which will be staged at the Garrick in September.

During the show a message of congratulations from former member Adrian Poynton (1990-1997) was beamed on to a screen at the rear of the stage. He is now a writer and performer in Los Angeles, currently working on projects including two new TV shows and a movie. As a piece in the official programme said…’not bad for a boy from the Midlands’.

An inspirational concert was splendidly compered by charismatic Alex Wadham, another ex-member, now a professional actor.

Paul Marston

26-07-15

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The Phantom of the Opera

Aldridge School

WITH all the special effects, clever staging and even remarkable make-up required by Andrew Lloyd Webber’s smash hit musical, it is a huge task for school students.

The drama of the crashing chandelier, the two-way mirror, the eerie scenes in the catacombs below the Paris Opera House and the grotesque features hidden by the Phantom’s mask are virtually impossible to re-create at this level.

But the teenagers of Aldridge School delivered an impressive production on a limited stage, thanks to having excellent leads and bundles of enthusiasm, with Kate Lowe singing beautifully as Christine Daaé, the chorus girl transformed into a star by the violent musical genius known as the ‘opera ghost’.

A powerful performance, too, from Josh Ford as the Phantom, and the scene where he glides through the catacombs with the kidnapped Christine on board his gondola is one of the highlights.

Daniel Boot is a convincing Raoul who faces a battle with the shadowy figure for the girl he loves, and there are outstanding contributions from Georgia Burgess (Carlotta) and Jodie Homfray (Madam Giry, in charge of the corps de ballet but with a mysterious link to the Phantom).

On opening night the early scenes lacked a bit of zip, but the pace soon picked up, and the orchestra, under musical director Richard Mason, impressed despite the occasional hiccup with sound equipment.

Libby Marcano directs an enjoyable show which runs to 08-07-15

Paul Marston

08-07-15

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Murder in Play

Lichfield Players

Lichfield Garrick Studio

***

YOU quickly get the impression that the cast of Simon Brett’s play within a play thoroughly enjoy what they are doing, even if as confused as the audience at times.

The story opens during rehearsals by a budget repertory company for Murder at Priorswell Manor, and with so many of the actors suffering from hangups or relationship problems, it’s obvious the show is heading for trouble.

And when the leading actress is murdered, the whodunit mystery takes on a new twist  as the play continues with red herrings galore.

The first night audience certainly enjoyed the many humorous moments, often sparked by Ian Davies as the play’s womanising director Boris Smolensky.

Gina Martin is a real star, at first playing the maid, Mrs Puttock then switching to Lady Dorothy Cholmondeley, previously played by Jan Goodwin until the killer strikes.

Fine performances, too, from James Bentley as shell-shocked Major Rodney Pirbright, Lucy Bishop (Lady Virginia), Rachel Slade (Triggs), Adrian Venables (Mr Papadopoulos) and Sarah Stanley (Pat).

Directed by Phil Shaw the play runs to 23.05.15

Paul Marston

19-05-15

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Ghost – the Musical

WBOS

Grand Theatre, Wolverhampton

****

THE West Bromwich Operatic Society are never afraid to accept a challenge, and they have triumphed again with this musical based on the 1990 blockbuster film.

It’s a huge task for any amateur company, with all the special effects involved but an outstanding cast ensure it works, despite the occasional hiccup.

The tear-jerker begins with the murder of young banker Sam Wheat just as he has moved in with his partner Molly Jenson.

John Wetherall is superb as Sam who, trapped between this life and the next, is desperate to alert his grieving lover she is in terrible danger.

A terrific performance, too, from Laura Stanford as Molly and the pair deliver the big moment perfectly with the duet, Unchained Melody.

But the show is almost stolen by Laura Wynter as the dodgy psychic Oda Mae Brown who is able to communicate with the ghost of Sam to help protect Molly from the killer and her lover’s friend Carl Bruner (George Stuart).

Directed by Simon Pugh with Claire Flavell’s choreography and Adam Joy’s musical direction.

Paul Marston

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05-15  

Sounds of the Screen

WBOS Youtheatre

Dormston Mill Theatre, Sedgley

****

A CAST of more than 50 youngsters from West Bromwich Operatic Society’s youth theatre impressed with their enthusiasm, talent and dancing devised by joint producers/choreographers Claire Kramer and Ben Cole.

Whether it was solos, duets or groups they met the challenge of film and musical songs without a glimpse of nerves as images from the musicals were projected behind them.

Highlights were plentiful, beginning with Grace Pugh and Fiona Winning in Sisters from White Christmas, then Lucy Pritchard’s beautifully sung Diamonds are Forever, a group version of Can’t Take My Eyes Off You, (The Deer Hunter), and Jessica Harrison and Lara Pugh with Wouldn’t it be Loverly (My Fair Lady).

The second act was packed with goodies, too, none better than Ben Evans, Will Foggin, Tom Harrison and Tom Withers as the Jersey Boys singing Sherry.

Tom Harding was musical director of a memorable show.

Paul Marston

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05-15  

Crazy for You

Willenhall Musical Theatre Company

Dormston Mill Theatre, Sedgley

****

IN her first lead for the company, Kelly Ashman gives a sparkling performance in George and Ira Gershwin lively musical as Polly Baker, the only young woman left in small-town Deadrock, Nevada - determined to lead the fight to save their rundown theatre.

Kelly reveals a fine voice, particularly with Someone to Watch Over Me, and she forms a bright partnership with Luke Renwick, making his debut in the role of wealthy banker Bobby Child, whose mission to foreclose on the theatre hits a snag when the couple fall in love.

There is humour aplenty especially when famous impresario Bela Zangler (Roger Stokes) and Bobby, disguised as Zangler, match each other move for move while intoxicated in Lank’s Saloon.

Choreographer Lindsey Grant created a blistering end to the first act with I Got Rhythm, and the follies girls performed superbly in impressive costumes.

Crazy for You was produced and directed by Andy Poulton with Phil James’ musical direction. 

Paul Marston

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04-15 

The King and I

Lichfield Operatic Society

Lichfield Garrick

**** 

PERFORMANCES of this Rodgers & Hammerstein classic sold out, and it’s easy to see why there is such a demand for tickets.

From the opening to the tear-jerking finale, it’s a terrific cast and skilfully directed by Julie Mallaband, who played Anna when the company staged show in 2003.

This time Dawn Welch delights as widowed English teacher Anna who arrives in Siam to take charge of the King’s many children, clashing with a ruler considered a barbarian by leaders in the West.

Jordan Adams excels as the stubborn King, his poise, arrogance and stabbing fingers a reminder of Yul Brynner’s film performance.

But? The 17 youngsters playing the royal children almost steal the show, loving every minute on stage.

Outstanding performances, too, from Sue Morgan (Lady Thiang), Fidel Lloyd (Kralaholme), Nathan De Giorgio (Prince Chulalongkorn), Kathy Coombes (Tuptim), Jon Barakat (Lun Tha) and James Padley (Louis Leonowens) with

Jess Lambert’s choreography and Jack Hopkins’ musical direction.

Paul Marston

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04-15

The Memory of Water

The Fellowship Players

Grange Playhouse, Walsall

***

MEMORIES come flooding back for three sisters who return to the family home for their widowed mother’s funeral in Shelagh Stephenson’s award winning play.

Very different characters, the reunion at such a poignant time sparks recollections that lead to anger, humour and sadness, as well as a few revelations.

Tongues are loosened my a mixture of whisky and occasional puffs on a ‘joint’ from the extrovert Catherine, played with impressive surges of energy, fun and pathos by Fran Richards.

The action takes place in mum, Vi’s bedroom and Rachel Holmes gives a confident performance as Mary, whose secret from the past is revealed, and Shelley Jennings, rarely relaxing her grip on the bottle of scotch, is convincing as the apparently reliable Theresa.

Dawn Vigurs, Dave Brown and Stephen Ralph complete a confident cast in the play, directed by Stephen Ralph.

Paul Marston

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04-15

Dogfight - the Musical

MYK Productions

Arena Theatre, Wolverhampton

****

THIS was the European amateur premiere of the Benj Pasek and Justin Paul musical, and the excellent cast received standing ovations at every performance.

The story is linked to the Vietnam war and is a powerful piece with tear-jerking emotion, humour, good music and a clear message.

It’s brutal at times as six marines prepare for a final night of debauchery before Vietnam. deployment.

The game they devise is Dogfight, involving a kitty won by whoever brings the ugliest girl to a party.

Maison Kelley gave a memorable performance as Eddie Birdlace who encourages Rose Fenny, a waitress in her mother’s diner, to join him, but as they talk he develops a fondness for the guitar-playing girl and attempts to shield her from the game.

Cecily Redman, a third year student at Birmingham Conservatoire, excelled in the key role of Rose whose excitement at being invited out turned to fury on learning the original reason for her date but she forgives him when traumatised Eddie returns home as the only survivor of the six. Dogfights was directed and produced by Adam Lacey

Paul Marston

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04-15 

Grease

Lichfield Garrick Youth Theatre

Lichfield Garrick

****

WHEN this talented company was formed 30 years ago, the first show was Grease.

So it’s no surprise that to mark the anniversary they decided to go with the updated version of the same show, and it is as slick as ever.

As soon as the leads, Dominic Sterland (Danny Zuko) and Molly Gudz (Sandy Dumbrowski), hit the stage, the audience can relax. They are the perfect match, especially in the big numbers ‘Summer Nights’ and ‘You’re the One that I Want’.

But they are not alone in this story of love and friendships at Rydell High. There are outstanding performances, too, from Will Stevenson (Kenicke), Nicole Morrin (Rizzo) and Lewis McLaren (Sonny).

The choreography by Charlotte Middleton is impressive, and there are two stand-out numbers with Lucy Charnock (Marty) singing ‘Freddy, My Love’, and Harry Singh (Teen Angel) with a clever arrangement of ‘Beauty School Dropout’.

Paul Marston

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04-15 

Rent, The Musical

South Staffs Musical Theatre Company

Hutton Theatre, Wolverhampton

****

IF there were any doubts concerning the experience of 17-year-old Alastair Norton when he was handed the job of directing this powerful but difficult show, they were soon swept away.

Staged in the round at Wolverhampton Grammar School’s theatre, the exciting production tackled the problem of poverty, disease, drug addiction and sexual freedom within a group of struggling bohemians with great skill and pulled no punches.

Norton, who also choreographed the show, ensured the musical was true to the aims of Jonathan Larson who wrote the book, music and lyrics, inspired by Puccini’s La boheme and set in East Village, New York where the young group of squatters were living in the late 1980s.

The teenage director, making his debut in that important role, was certainly indebted to an exciting young cast whose acting and singing were inspirational, while the lighting effects worked well and the band provided just about the right level of backing for the action.

Outstanding performances were given by Chris Eastup (Roger), Matt Nicholas (Mark), Lexie Bennett (Mimi), Nicole Roberts (Maureen), Simon McGee (Tom), James Thomas (Angel) and Abbie Rai (Joanne). To 03.04.15

Paul Marston

 02-04-15

Midland Youth Jazz Orchestra

With Jacqui Dankworth

Walsall Methodist Central Hall

****

THIS charity concert provided an opportunity for MYJO to demonstrate their talents alongside one of the country’s leading vocalists, jazz singer Jacqui Dankworth.

It proved a perfect combination, with a range of powerful music delighting a capacity audience, and the orchestra’s patron clearly enjoying her appearance with the award-winning youngsters.

The star guest made a big impression with her version of A Nightingale Sang in Berkeley Square, in which a member of the orchestra, Elliot Drew, played a lovely solo piece for the flute written by Jacqui’s father, jazz musician, arranger and composer Sir John Dankworth.

Several other members of the 19-piece orchestra contributed excellent solos in the two-hour programme bristling with powerful music, and even legendary musical director John Ruddick took a break from conducting to play the trumpet on a couple of occasions.

And there was an amusing interlude when four young men downed their instruments and stepped forward to provide an impressive barbershop quartet song, It’s Only a Paper Moon, while another highlight featured Chris Brown with his saxophone solo in We’ll be Together Again.

Williams Stephens arranged the concert on behalf of the Rotary Club of Walsall, whose president, Adrian Wilcox, enthused: “I have always said you can get anything in Walsall – this proves it”.

Charities to benefit from the £2,400 made by the concert are the West Midlands Air ambulance, Teenage Cancer Trust and Heartcare.

Paul Marston

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03-15 

Legally Blonde

Wolverhampton Musical Comedy Company

Grand Theatre, Wolverhampton

****

THERE is no doubt that ‘Muscom’ pulled off a theatrical coup in becoming the first amateur company to stage this musical version based on the 2001 film.

It’s not the greatest story, and the music is more catchy than memorable, but it is bursting with energy and typical American humour, with director/choreographer/producer Denise Robinson bringing the best out of the dancers.

Elle Woods, played by Katie Astbury. is devastated when ambitious boyfriend Warner Huntington (Tye Harris), dumps her to become a serious student at Harvard Law School. But she doesn’t give that easily.

Excellent performances, too, from Liam Sargeant (Emmett Forrest) and Harry Golightly (Paulette Bonafonte), with full marks for Karl Babarczi’s musical direction.

Paul Marston

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11-03-15

Kiss Me Kate

Walsall Operatic Society

Lichfield Garrick

****

The company’s 60th anniversary show is celebrated in some style with Cole Porter’s fun-packed musical.

Set in 1949 Baltimore, the opening of a new musical version of The Taming of the Shrew is put in jeopardy by the feuding leads.

Happily Tom Fletcher, playing actor Fred and Petruchio, and Philippa Mills, his ex wife Lilli and the violent Kate, have the perfect chemistry for the warring couple.

Fletcher excels when, as Petruchio, he reflects on his past conquests with the clever song, Where is the Life that late I Led?, and Mills almost has the audience ducking for cover with her lusty performance of I Hate Men.

Strong contributions, too, from Lauren Key (Lois and Bianca) and Maison Kelley (Bill and Lucentio), while Craig Smith and Carl Banks are hilarious as the gangsters.

Richard Poynton directs, Charlotte Mills is choreographer and Ian Room is musical director.

Paul Marston

10-03-15

Rose White & The Magic Mirror

Spotlight Youth Productions, Forest Arts Centre, Walsall

***

THIS lively panto was a triumph for DIY, boundless enthusiasm and a huge cast

The story, involving a king, wicked queen and the inevitable spells was written by one of the show’s directors, Jackie Anderson, and the colourful costumes and set were all made by parents and friends.

Quite a task with 70 youngsters, aged between eight and 18, performing in the round to a plot developed around well-known songs.

So full marks to the team of choreographers, Nikki Lycett, Kayley Lycett and Charlotte Cowley. The clever magic mirror was particularly effective, with Ben Farmer (the vain Prince Bobby) using it after becoming a victim of the queen (Emily Cavill) and her Sage (Alex Littlehales).

Strong performances, too, from James Harriman (Sorcerer), Deborah Allen (Rose White), Tony Foxall (King Harold), Drew Rafton (Prince Billy) and Olivia Maillard (Fairy Godmother).

Paul Marston

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01-2015 

Sinbad the Sailor

Aldridge Youth Theatre

****

THIS post-Christmas cracker, written and directed by Neville Ellis, is packed with goodies and is easily the best pantomime AYT have staged in recent years.

A stand out performances comes from Phoebe Hooper as Morgiana, an enslaved English girl with a Black Country accent who steals the show singing Nothing Could be Finer, with words reflecting on life in Walsall.

And what a comic double act are Daniel Boot and Will Young, playing carpet traders Al Kuz and Seltzah. Also impressive are Amy Tregellis (Sinbad), Shona Tulloch (Princess Elene), George Wyton (Shazaman, the sorcerer) and Phoebe Ash (The Old Witch of the Sea), and there is a really slick routine to the song ‘If I Were Not Upon This Boat’.

Full marks too for lively music from Guy Rowland (piano) and Raymond Vale (percussion).

Sinbad the Sailor runs January 15, 16, 17, 22, 23 and 24

Paul Marston

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01-2015

Footloose, The Musical

Youth Onstage

Dovehouse Theatre, Solihull

****

THIS lively musical about a small US town where dancing is banned provides the perfect opportunity for Youth Onstage to parade their talents.

And the young cast, aged nine to 20, grasp the chance impressively in an enjoyable show, directed by Tamworth head teacher Deborah Brook.

And what a performance on his debut with the company from Polesworth School sixth former Harry Chapman in the lead role of Ren, who moves with his mother from Chicago to Bomont where dancing has been banned following the road deaths of four youngsters returning home from a dance/

He clashes with the town’s strict preacher, the clergyman’s pretty daughter Ariel and leading the campaign to bring back dancing.

Laura Nicholson is excellent as Ariel, and there are outstanding contributions from James Woodward (Willard), Jessie Miah (Rusty), Kia Gates (Vi) and Daniel Carpenter (Chuck).

Paul Marston

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12-14

Brownhills Goes to Broadway

Brownhills Musical Theatre Company

Prince Of Wales Theatre, Cannock

****

THIS talented company insist their aim is to stage professional quality productions, and they come pretty close with this one.

On their Cannock debut the programme packed with hits from some of the great musicals with am early boost from There’s No Business Like Show Business, featuring Sonia Cameron, John Cruxton and the full company.

And what a performance from young Matt Pettifer, recruited only three weeks. The  student at Birmingham School of Acting sings well, particularly in Top Hat, White Tie and Tails, and his tap dancing is impressive, too.

Many other highlights include Kate Rock with Cabaret, Nick Allen, Brett Dewsbury and ensemble in The Book of Mormon, Greg Yates (Sit Down You’re Rocking the Boat), Karen Cockitt and Helen Norgrove (A Boy Like That), Kathryn James and ensemble (Take Back Your Mink), and Greg Yates and Dave Oakley (Brush Up Your Shakespeare).

Directed by Pete Smith and Sonia Cameron musical director was Chris Corcoran’s and choreographer Michelle Baker.

Paul Marston

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Oliver!

WBOS Youtheatre

Lichfield Garrick

*****

IT is the delighted audience who are left asking for more as the West Bromwich Operatic Society’s Youtheatre bring down the curtain on this outstanding production of Lionel Bart’s musical.

The youngsters earn a standing ovation, and considerable credit is also due to new producer-choreographer Ben Cole whose love for the theatre began 20 years ago when he played Oliver Twist in the company’s first crack at the show

Aidan Cutler, making his debut with the company, excels as Fagin, the whiskery old villain leading a band of kiddy crooks, and Mia Richards is a delight as Nancy, girlfriend of the murderous Bill Sykes. She sings As Long as He Needs Me with real emotion.

Matt Nicholas creates the menace of Sykes perfectly, and there are fine performances from Will Foggin (Oliver), Joshua Dean (Mr Bumble),Lucy Pritchard (Widow Corney) and Alastair Winning, a real hoot as Mr Sowerberry, the creepy undertaker.

Paul Marston

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Fiddler on the Roof

Lichfield Operatic Society, Lichfield Garrick

*****

NINE years after directing Fiddler, James Pugh is starring as Tevye, the philosophical milkman in the Russian village of Anetevka.

And he delivers a performance full of power, charm and humour as his three eldest daughters insist they want to marry for love rather than be fixed up by the community matchmaker, Yente (Deborah Middleton).

Tevye’s clashes with his wife Golde, impressively played by Julie Mallaband, create some of the more amusing moments and the dream sequence where Golde’s Grandma Tzeitel rises from the grave, surrounded by other ghosts, to offer advice, is brilliantly performed.

There are outstanding contributions, too, from Dan Anketell (Motel the Tailor), Avril McCarthy (young Tzeitel), Jess Long (Hodel) and Ava Taroni (Chava).

Charlotte Middleton’s choreography is slick and Ruairi Edwards, the musical director, and his orchestra, are excellent. Directed by Lynne Hill to 01.11.14

Paul Marston

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Oh, What a Lovely War!

The Circle Players, Aldridge Youth Theatre

***

SINCE this company was formed in Kingstanding 80 years ago they have built a reputation for good dramas and comedies, so Joan Littlewood’s musical look at World War 1 was a real challenge.

In the early scenes you wonder if the task is beyond them as the action tends to stagger along with no recognised vocalists, but, to their credit, there’s no surrender.

As the story progresses the cast of 30, in pierrot costumes, grow in confidence and ‘the cavalry’ arrives with the Christmas scene when British and German soldiers down weapons and greet each other emotionally.

The second act sees a big improvement, with some razor-sharp satire, while songs of the time, some parodied, are delivered enthusiastically to music from Kevin Boyd (piano) and Ray Vale (drums) as horrific details of loss of lives on both sides are projected onto a screen.

Paul Marston

21-10-14

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Bite-Size Broadway

****

A CLEVER mix of age ranges and hits from the great musicals created the perfect blend for this talented company’s annual concert.

While the adults impressed with their song and dance numbers, the youngsters made a considerable contribution, too, in Revolting Children, from Matilda, and Doin’ What Comes Naturally (Annie Get Your Gun).

Tom Fletcher, Chloe Wharton and the ensemble excelled in highlights from Evita, while Chris Wolverson, Maggie Page, Steph Coleman, Simon Docherty and the girls captured the mood of Cabaret superbly, and there was a moving selection from Miss Saigon.

A spellbinding evening was completed by Steph Coleman, Vicky Hardy and Jayne Ison in Make Him Mine (Witches of Eastwick). The orchestra was conducted by Jack Hopkins.

Paul Marston

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Magical Musicals 2014

Willenhall MTC, Coppice Performing Arts School, Wednesfield

****

HIS Black Country concert was so bristling with quality you wouldn’t expect the company to offer a special incentive to their audience.

But everyone who bought a ticket for a tenner was able to enjoy a tasty fish and chip supper during the interval which all went down a treat.

The singers and dancers were mainly young, enthusiastic and extremely talented in a show choreographed by Lindsey Grant with Phil James’ musical direction.

At the bottom of the age range was eight-year-old Freya Poulton who was a delight with Naughty, from Matilda, and it was no surprise to learn that she has recently auditioned for the musical in the West End.

Another young lady with a big voice, Linzi Grant gave a stunning performance with Supercalifragilisticexpialidocious, from Mary Poppins.

Paul Marston

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Barefoot in the Park

Lichfield Players, Lichfield Garrick

****

An outstanding cast do justice to Neil Simon’s clever play set in 1960’s New York, packed with amusing dialogue and situations as newly wed Paul and Corrie Bratter meet unexpected problems settling into their tiny fifth floor apartment, all the more difficult through the lack of a lift.

Zoe Male is on the ball as Corrie. Bursting with enthusiasm and energy and John Cleaver excels in the role of budding lawyer Paul, having to cope with the demands of his bubbly wife while preparing for a debut court case the following morning.

The arrival of Corrie’s mum adds to the chaos, with Adrienne Swallow a delight as Mrs Ethel Banks and Phil Shaw is hilarious as the young couple’s eccentric attic neighbour Victor Velasco with Barrie Atchison adding to the fun as the telephone man.

Paul Marston

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Sailor, Beware!

Aldridge Youth Theatre

****

THE theatre’s senior section give a truly rollicking performance in this laugh-a-minute comedy by Philip King and Falkland Cary.

Set in the Hornett’s living room as the family prepare for their daughter’s wedding to orphan sailor Albert Tufnell in the 1950s, Kate Moseley is a delight as acid-tongued Emma whose domineering attitude puts the wind up Albert (Daniel Boot) leading to a crisis when he fails to turn up at the church on time.

Bride in waiting Shirley, impressively played by Phoebe Hooper, isn’t helped by her agony aunt Edie (Amy Tregelis), a woman prone to bursting into tears and haunted by being jilted n her past.

Excellent contributions, too, from Shona Tulloch (bridesmaid Daphne Pink), George Wyton (best man Carnoustie Bligh), Daniel Foster (Henry Hornett), Grace Tregellis (neighbour Mrs Lack) and Connor Christie (the Rev Purefoy).

Paul Marston

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Echo Beach

Spotlight Youth Productions

Forest Arts Centre, Walsall

****

MORE than 70 youngsters put on a sparkling show in this musical set in the 1980s written by the company’s production manager, Steve Groves.

The Sex Discrimination Act finds some opposition in the seaside town of Hammerlin where the local council is led by three long-standing chauvinists – Major Roberts (Nicolas Allen), Farmer Lane (Callum Lerigo) and the Rev Reaney (Samuel Barrett).

In an effort to pacify their detractors, the trio award a contract to redevelop the Echo Beach area to Piper Construction, but the plot includes treachery, skulduggery and . . . an incident of bottom slapping with hints of other sexual misdemeanour.

A rousing finale featured the full company in Walking in Sunshine. Directed by Michele Windsor and Karen Lyon, Echo Beach ran to 12-07-14.

Paul Marston

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Les Misérables – Schools Edition

Aldridge School

****

TALENTED students from Aldridge School brought a dash of West End drama to the campus with their performance of Alain Bouble and Claude Michel Schonberg’s hit musical.

It has earned standing ovations and cheers every night since opening on Wednesday, a thoroughly deserved tribute to a fine cast, aged between 12 and 18, and director Libby Marcano.

There are many jaw-dropping moments, and one of the highlights comes with crooked inn-keeper Thenardier and his equally odious wife combining in the hilarious Master of the House. George Caulton and Keyleigh Alison are a hoot as they sing about scams like charging their customers an extra two per cent for sleeping with the windows shut.

Josh Ford excels as Jean Valjean, the former convict released after 19 years on the chain gang, then relentlessly pursued by the single-minded Inspector Javert, impressively played by Andrew Taysum.

Terrific performances, too, from Jon Flood (Marius), Louise Conway (Fantine), Charlotte Jackson (Eponine), Josh Friend (Gavroche), Poppy Hawthorne (Cosette) and Harry Gregory (Enjolras).

Full marks, too, for the excellent orchestra under musical director Richard Mason, the chorus, and the set images by Stephen Berry. To  05.07.14

Paul Marston

03-07-14

The Scarlet Pimpernel

Lichfield Operatic Society

Lichfield Garrick

****

WHILE not considered to be one of the top musicals, this story of a brave band of Englishmen rescuing aristocrats from the guillotine in the French revolution is quality entertainment.

Based on Baroness Orczy’s novel, it has powerful songs and the costumes and sets are stunning.

There is plenty of drama and tension, with a realistic guillotine sending a shiver down your spine.

Jordan Adams is superb as Sir Percy Blakeney (the Pimpernel), Jo Edwards delights as his French wife, Marguerite St Just, and Pete Beck is convincingly menacing as the blood thirsty Citizen Chauvelin, fanatical agent of the French republic revolutionaries.

Full marks to production director Lynne Hill, Sophie Randal the choreographer and Ruairi Edwards musical director of a fine show. 05-14

Paul Marston

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The Phantom of the Opera

Lichfield Garrick Youth Theatre

Lichfield Garrick

***** 

HAD Andrew Lloyd Webber been present he would surely have joined the audience in a standing ovation for the excellent young cast.

They simply revel in the story of the disfigured Phantom’s love for chorus girl Christine and his determination to make her an opera star.

There is a wonderfully mature performance from 15-year-old Lucy Charnock as Christine. She sings beautifully while Chris Buckle proves the perfect Phantom, menacing but tender when necessary and his singing of The Music of the Night is a delight.

Another outstanding contribution comes from Alex O’Reilly, playing Raoul. Terrific performances, too, from Abigail Tong (Carlotta), William Stevenson (Firmin), Gus Wade (Andre), Ava Taroni (Meg), and Jess Brown (Madame Giry) in a great show cleverly directed by Richard Poynton with impressive work from a fine orchestra directed by Oliver Rowe. 03-14

Paul Marston

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Sweeney Todd

Walsall Operatic Society

Lichfield Garrick

****

THIS blood-thirsty musical about the demon barber of Fleet Street may not be everyone’s cup of tea, but it is a powerful story extremely well performed by a talented company.

The vengeful Todd returns after being wrongly deported by a crooked judge who lusts after the barber’s beautiful wife, and he teams up with Mrs Lovett whose worst pies in London suddenly become the most popular with ingredients provided  by the bodies of his victims.

Richard Poynton gives a stunning performance as Todd and his His partnership with Maggie Page, playing Mrs Lovett, works perfectly. Maggie, despite the morbid style of her business, manages to lift the doom-laden atmosphere with some delightful humour.

Excellent contributions, too, from Tom Fletcher, Todd’s sailor friend Anthony Hope; Frazer Shine (Tobias Ragg), Katy Ball (beggar woman), Beth Lowe-Berwick (Johanna), Simon Docherty (Judge Turpin) and John Sheard (Beadle Bamford). 03-14

Paul Marston

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Of Mice And Men

Circle Players

Aldridge Youth Theatre

****

MAKING her debut as a director, 24-year-old Ellie Ball can take great credit for delivering all the innocence, anxiety and drama of John Steinbeck tale set in California during the Great Depression.

Ellie has been involved with the players since she was six, and despite a limited set, ensured the audience appreciated the tension in the story.

The two leads are excellent with David Daly as the simple-minded Lennie Small whose great strength and tendency for trouble makes him vulnerable despite the best efforts of friend, George Milton, splendidly played by Thom Handley. The two migrant ranch hands dream of earning enough to buy land of their own but the plan ends tragically when they encounter jealous Curley (Alex Howell) and his flirty wife (Sophie Grace Rowe).

There is a strong performance, too, from Stan Hubbard as Candy. To 22-02-14

To 22.02.14

Paul Marston

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H.M.S. Pinafore

Walsall Gilbert & Sullivan Society

Forest Arts Centre, Walsall

****

A MOTHER and daughter ‘team’ dominated this outstanding production of this popular operetta with Ann Simpson, a society member formany years but making her debut as producer.

She including songs from two other shows, Patience and Princess Ida, which worked extremely well, and her daughter, Karen Marie Lyon, gave a stunning performance as Josephine, daughter of the Pinafore’s Captain who falls for humble sailor Ralph Rackstraw (Steve Parrish).

Mac Hammond excelled as First Lord of the Admiralty, Sir Joseph Porter, and strong support, too, from Ian Askew (Captain Corcoran), Adrian Davies-Ratcliffe (Dick Deadeye), Mel Boland (Little Buttercup), Emma Jones (Psyche) and Gary Gentle (Bill Bobstay), while the chorus work and musical director Philippa Cruxton and the orchestra added to a fine show.

Pinafore docked on 22-02-14

Paul Marston

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Outside Edge

Lichfield Players

Lichfield Garrick

***

WITH almost classic timing in their 70th anniversary season the players chose to perform this Richard Harris comedy as England’s cricketers were staging their own real-life farce ‘down under’.

Set in a cricket pavilion, the story revolves round a group of local cricketers preparing for a match against the British Railways Maintenance Division, but the unlikely athletes face a few off-field bouncers as problems with wives and girlfriends threaten to knock them for six.

Bill Killick is suitably pompous as the team captain, dishing out orders to his much put upon wife Miriam - and anyone else  while Denise Baker is an excellent Miriam and there are amusing contributions from Phil Shaw, playing ‘ladies man’ Dennis, Steve Appleyard (Kevin), Sue Carter (Maggie), Adrian Venables (Bob) and Fiona Willimott (his suspicious wife, Ginnie). Directed by Stuart Goodwin, to 25-01-14

Paul Marston

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Cinderella

Aldridge Youth Theatre

****

THERE are apparently 500 versions of Cinderella recorded, and this is another amusing angle on the tale, written by AYT's own Neville Ellis.

Cinderella, impressively played by Phoebe Hooper, overcomes her spiteful step-sisters to win the heart of the handsome Prince Charming (George Wyton).

Sparkling performances, too, from Daniel Boot as Buttons, Katie Moseley (Sophie Soffit), Kayleigh Alison (Pandora Mullet) and Archie Miles (Baron Stoneybroke).

Attracting the boos Shona Tulloch excels as Demon Discontentf while Harry Gregory and William Young revel in the roles of ugly sisters Buttercup and Cowslip.

Strong contributions, too, from Catherine Hooper (Fairy Felicity), Jack Heaven (King Hugo), Phoebe Ash (Queen Gertrude) and Daniel Foster (Dandini).

Directed by Dexter Whitehead and choreographed by Joanne Billingham, with excellent music from Guy Rowland (piano) and Ray Vale (drums), the show runs Jan 16, 17, 18, 23, 24 and 25.

Paul Marston

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A Musical Mash Up

Youth Onstage, Dovehouse Theatre, Solihull

****

AS a taster for next May's production  Les Miserables at The Old Rep, this concert was a sure fire winner.

Les Mis runs from May 7-10 and the company still need a few more cast who must be between nine and 19 and in full time education.

The concert had more than 20 numbers from various musicals, closing with four from Les Mis - Castle on a Cloud (Bethan Handford), Empty Chairs and Empty Tables (Matt Brook), On My Own (Carly Taylor) and Bring Him Home (Dan Peet).

Earlier there were outstanding contributions from Samara Rawlins (One Night Only, from Dream Girls), Melissa Harper (Another Suitcase, Another Hall, from Evita).

Former member Hannah Brook returned from University for a beautifully sung Somebody to Love (We Will Rock You), in a show directed by Deb Brook, with Suzy Bleasdale's choreography and Andy Johnson's musical direction.

Paul Marston

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Ruddigore

Erdington Operatic Society

Sutton Coldfield Town Hall  

**** 

WHEN it comes to multi-tasking in Gilbert & Sullivan operettas Colin Lapworth is in a class of his own!

For this delightful staging of Ruddigore (The Witch's Curse) he is the director, choreographer and also plays the lead role of Sir Ruthven Murgatroyd, at first disguised as young farmer Robin Oakapple to avoid having to commit a crime a day.

Lapworth is superb, and the entire cast sparkle in a show set in an old Cornish fishing village.

There is an outstanding scene in the picture gallery of Ruddigore Castle when the dead ancestors step from their portraits and Peter Turner (Sir Roderic) sings powerfully, then later a cracking duet featuring Barbara Hayward (Mad Margaret) and Paul Wozniak (Sir Despard).

Fine performances, too, from Letty Askew (Rose Maybud), Nick Hardy (Richard Dauntless) and Pam Cooper (Dame Hannah). 

Paul Marston

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Miss Saigon - School Edition

Wbos Youtheatre

Lichfield Garrick

***** 

THIS production of Claude-Michel Schonberg's dramatic musical, set in the final days of the Vietnam War, is a triumph as acast of 55 succeed in delivering every ounce of emotion, drama and humour fromvthe story of an American GI's doomed love for an innocent Saigon bar girl.

There are spectacular scenes, particularly the realistic helicopter in the evacuation, and later with night club owner, The Engineer, leading the dancers in The American Dream.

Maison Kelley gives a powerful performance as GI Chris, torn between the love for his American wife, Ellen, and bar girl Kim, played with great feeling by Poppy Aston and Lucy Fellows.

Frazer Shine excels as The Engineer, while Tom Whitehouse, playing Chris's GI pal John, earns an iovation for his singing of Bui-Doi. A mention, too, for brothers Valentino and Fabrizio Scattone who share the role of Kim's son, Tam. 

Paul Marston

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The Ghost Writer

The Fellowship Players, Grange Playhouse, Walsall

***

IS this a whodunit, a ghost story or a farce? Perhaps a bit of all three.

Written by Quarry Bank born author David Tristram, it has a few scary moments but plenty of laughs after opening on a serious note with promising playwright Edward Pinfold suicidal on the first anniversary of his wife, Ruby's death.

The actress apparently took an overdose of pills and booze, but her ghost suddenly appears insiting she was murdered.

Shelley Jennings excels as the mischievous Rubywho occasionally appears and disappears through a neatly disguised door in the wall of her husband's bedsit. A spirited performance.

Alan Lowe also impresses in the role of Edward, and there is strong support from Graham Ward, the gay landlord.

Roger Shepherd (Hedley), Ruth Bosman (Frances) and Rachel Holmes (Glenda) all add to the fun.

Directed by Vida Green, To 19-10-13

Paul Marston

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Only Make-Believe

Aldridge Youth Theatre

***

THIS double bill sees an outstanding performance by Natalie Webster in the opener, In By The Half, by Jimmy Chinn. She is convincing as elderly actress, Madam, clashing with her long-suffering housekeeper and dresser, Doris, impressively played by Catherine Hooper.

Madam still pretends she is on stage, but her only income is from giving lessons to young, no-hoper Sylvia (Katie Moseley). She is also at odds with her actress daughter, Ursula (Natalie Ashcroft) until the young woman reveals she has a serious illness.

The second play, Sparkleshark, by Philip Ridley, is set on the rooftop of a tower block where the tension of bullying is eased when youngsters escape a tough life by switching to a fantasy world of heroes and heroines.

Strong contributions come from William Young (Russell), Shona Tulloch (Natasha), Daniel Boot (Jake) and Eleanor Forrest (Polly). 09-13

Paul Marston

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Carousel

South Staffs Musical Theatre Company

Grand Theatre Wolverhampton

****

ROSES were thrown on to the stage during a standing ovation at the end of this fine amateur company's production of the Rodgers and Hammerstein classic following an emotional finale of You'll Never Walk Alone.

The show has convincing acting, good choreography by Maria Shee, and top quality performances from the leads, particularly Tye Harris as barker Billy Bigelow and Laura Evans as Julie Jordan.

Excellent contributions, too, from Rosie Harper (Carrie Pipperidge), John Sheard (Enoch Snow), Sheila Wood (Nettie Fowler) and Simon Hodson (Jigger Craigin).

Directed by Karl Veltman with James Maddison's musical direction, Carousel ran to 12-10-13. 

Paul Marston

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Godspell

Spotlight Youth Productions, Brownhills College Theatre

****

NEVER afraid to try something different, this ambitious young company staged the Stephen Schwartz musical in a circus setting with members of the 60-strong cast, aged eight to 18, performed walking on stilts, spinning plates and juggling as the audience arrived.

The show, built round a series of parables based on the Gospel according to St Matthew,  opened with the stage in almost total darkness while the voice of God declared his supremacy, and when the lights went up the home-made colourful costumes created a blaze of colour.

Matt Pettifor excelled as Jesus, with Dario Biedma-Coleman supremely confident in the double role of John the Baptist and Judas.

Terrific support, too, from Deb Allen, Ben Farmer, Tony Foxall, Matt Trembling, Nathan Owers, Charlotte Kinson, Amie Sleigh and Karla Ramsey. To 13-07-13

Paul Marston

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The Importance of Being Earnest

Crescent Theatre

**** 

A CAST of nine will delight audiences this summer with their immaculate timing in this Crescent Theatre production of  Oscar Wilde's clever comedy.

Michaela Redican plays Lady Bracknell superbly, while Nathan Blythe is excellent as Jack, a bit of a lad at times when using the name Ernest as an alibi, but eventually finding an earnest solution to win Gwendolen, beautifully played by Hannah Kelly.

Outstanding performances, too, from Richard Dawes (Algernon Moncrieff), Rose Moulding (Cecily Cardew), and Julie Lloyd (Miss Prism).

The play runs at the studio until July 6, 2013 before going on tour at St Nicolas' Place, Kings Norton (July 10 & 11); Castle Bromwich Hall Gardens (July 13 & 14); Selly Manor, Bournville (July 16); ending at Harvington Hall, Kidderminster (July 20 &21)

Paul Marston

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The Glass Menagerie

The Fellowship Players

Grange Playhouse, Walsall

* * * *

THE determination of a mother to find suitable futures for her two children is impressively told by the cast of four in what was Tennessee Williams' first successful play.

A genteel Southerner, Amanda Wingfield lives in a modest St Louis apartment with her son and daughter reminiscing about her youth when she was pursued by many suitors.

Ruth Bosman is superb as the domineering mum, worried about Tom's smoking and drinking and desperate to find a young man for painfully shy, and lame Laura.

Jennifer Smith gives a convincing performance as the troubled Laura, while Daniel Holyhead excels as Tom, an aspiring poet trapped in a warehouse job he hates. The cast is completed by Stephen Ralph, the 'caller' with an ability to begin to raise Laura's confidence and her mother's hopes.

Directed by Michelle Jennings, The Glass Menagerie runs to 22.06.13 

Paul Marston

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My Boy Jack

Lichfield Players, Lichfield Garrick Studio

*****

YOU actually feel the pain as a superb cast tell the story of how Rudyard Kipling  let his 18-year-old Jack go to war despite his poor eyesight.

Kipling's consummate patriotism powers his belief that all young men should be prepared to fight for their country,

Nigel Lowe gives a wonderful performance as Kipling, totally convincing as he deals with bitter opposition from his wife, Carrie, and daughter Elsie (Bird). When the young Lieutenant is reported missing the family embark on a two-year search to discover if, or how, he died in action.

Rachel Duncan is excellent as the poet's wife, while Rebecca Hyland, back with the company after an eight-year absence working abroad, is superb in the role of Elsie,

Shane Harper is an impressive Jack, well supported  by Irish Guardsmen Bowe (Greg Spencer) and Doyle (Ian Davies) and McHugh (Adrian Venables).

Paul Marston

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Grease

Youth Onstage.  The Old Rep

***

LAST December this talented company had to cancel their annual pantomime due to a shortage of members, some having moved on to universities and colleges.

What a difference a few months make! Making their debuts in the lead roles of Sandy Dumbrowski and Danny Zuko, Laura Nicholson and Kyle Passmore sparkle in key numbers like Summer Nights and You're the One that I Want, with strong support from the ensemble.

Outstanding performances, too, from Dom Harris (Kenickie) and Sarah Fullwood (Betty Rizzo), and one of the most impressive scenes features Matt Brook as Teen Angel, Philippa Coley (Frenchy) and the girls in Beauty School Dropout.

Grease is directed by Deb Brook with Suzy Bleasdale's choroeography and Andy Johnson's musical direction. To 11.05.13

Paul Marston

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Don't Stop Believin'

WBOS Youtheatre, Mill Theatre, Sedgley

****

YOU have to admire the talent displayed by West Bromwich Operatic Society's youtheatre as a 60 plus cast zipped through a varied programme of songs from the musicals

Lucy Fellows and Hannah Bowen made the first big impact with I Know Him So Well, from Chess, and outstanding performances came from Lydia Orme and Sam Ody (The Prayer), Tom Whitehouse and Jessica Ray (Feeling Good) and Tilly Thompson and Katie Harrison (Naughty).

Chelyr Hume thrilled  with I Know Where I've Been (Hairspray), while young Ben Evans made an impact with, Electricity, from Billy Elliot.

Other fine contributions came from Maison Kelley with Empty Chairs and Empty Tables (Les Miserables),  Anya Chalotra, Hannah Bowen and Lucy Follows (Landslide) and Amber Lloyd (Home, from Beauty and the Beast).

Lisa Metcalfe and Claire Kramer produced and choreographed the show, with Ian Stephenson's musical direction. 05-13.

Paul Marston

The Mikado

Manor Operatic Society, Sutton Coldfield Town Hall

****

EVERY now and again an amateur company manages to breathe new life into one of the Gilbert & Sullivan classics, and the MOS have done just that.

Assistant producer Barbara Hayward sang superbly in the role of Yum-Yum, desperate to avoid a marriage to newly promoted Lord High executioner, Ko-Ko, and formed the ideal partnership with show producer Nick Hardy, playing wandering minstrel Nanki-Poo (really the Mikado's son in disguise).

Brian Trott sparkled as the reluctant executioner, delivering his little list of people who never would be missed, in some style, while Beth Willis was a delight as Pitti-Sing, and other inspired contributions came from Susan Bushby (Katisha), Peter Bushby (Pooh-Bah) and Paul Wozniak (The Mikado).

Adding considerably to a fine show was the peformance of the orchestra, directed by Ian Hayward.

To 27.04.13 

Paul Marston

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Crazy for You

WBOS, Grand Theatre, Wolverhampton

**** 

ONE of the top amateur companies in the region, West Bromwich Operatic Society are making a real song and dance of their 75th anniversary with this sparkling Gershwin musical.

Working to Mike Capri's superb direction and choreography, the young cast come close to professional standard with their acting, singing and dancing.

Leon Davies is excellent as Bobby Child, the 1930s recreating a role he first performed 15 years ago. He is sent to close down a fading theatre in Deadrock, Nevada, but falls in love with the daughter of its owner, Polly Baker, and instead leads a rescue mission.

Claire Kramer is the perfect Polly, and there are fine performances from Emma Wetherall (Irene Roth) and Simon McGree (Lank Hawkins) and Simon Pugh (Bela Zangler) while the girl dancers are spectacularly good.

Outstanding support, too, from new musical director Ian Room and his orchester. To 27.04.13 

Paul Marston

The Sound of Music

Lichfield Operatic Society, Lichfield Garrick

*****

IT would be difficult to imagine a better staging by an amateur company - it is,quite simplystunning and every ticket is sold.

Sophie Randal, bravely battling with a throat infection, is the perfect Maria, bursting with enthusiasm as she teaches the youngsters to sing, while unexpectedly falling in love with the handsome Captain Georg Von Trapp whose reluctance to come under Nazi rule creates a dramatic finale.

Jordan Adams proves an outstanding Von Trapp, a strict disciplinarian but softening under the influence of the effervescent Marie, and Julie Mallaband, who played Maria 20 years ago, impresses as the Mother Abbess. Splendid contributions, too, from Craig Allen (Max Detweiller) and Paula O'Hare (Elsa Schraeder).

Full marks to production director Lynne Hill, choreographer Jemma Tiso and musical director Ruairi Edwards.To 27-04-13. 

Paul Marston

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Calamity Jane

Willenhall Musical Theatre Company, Dormston Mill Theatre, Sedgley

****

THE Deadwood Stage is thundering through the Black Country in style delivering a musical simply packed with catchy tunes.

Willenhall was the first company in the UK to perform Calamity Jane when the rights were issued in 1964, and the current production is a genuine hit.

Lydia Lavill is outstanding as Calamity, a gun toting gal with a reputation of being careless with the truth, and she cleverly exchanges her rough buckskin gear for a posh frock to win her man near the finale.

Fine performances, too, from Timothy Swallow (Wild Bill Hickock), Sam King (Katie Brown), Rob Dixon (Lt Danny Gilmartin) and Will Phipps (Francis Fryer).

Lindsey Grant's choreography is impressive, Andy Poulton produces and directs stylishly, while musical director Karl Babarczi and his orchestra provide superb support. To 20-04-13

Paul Marston

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Harvey

The Fellowship Players, Grange Playhouse, Walsall

****

LIVING with a brother who insists his friend is a 6ft white rabbit called Harvey finally proves too much for widow Veta Louise Simmonds who decides to admit him to a sanitarium.

But that comes unstuck when she is locked up instead and mild-mannered Elwood P. Dowd carries on creating confusion with his invisible bunny.

Mary Chase's 1944 play became a successful film starring James Stewart, and in this production Chris Pomlett gives a remarkable performance as likeable bachelor Elwood.

Sheila Grew is excellent as Veta along with daughter Myrtle Mae (Naomi Millard); impressive contributions also from Dan Holyhead and Alan Lowe (psychiatrists Lyman Sanderson and William Chumley) and Rachel Holmes (Nurse Ruth Kelly).

A mention, too, for Francis Williams who painted the portrait of Elwood with Harvey . . . the only time we get to see the rabbit. To 20-04-13.

Paul Marston

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Les Miserables - Schools Edition

Lichfield Garrick Youth Theatre

*****

THIS beautifully staged production by a talented cast of over 50 young people simply takes your breath away.

Every performance has been sold out, and it's easy to see why . Matthew Browne's portrayal of Jean Valjean, locked up for 19 years after stealing a loaf of bread in 19th century France, will boost his West End ambitions while Chris Buckle excels as the single minded Inspector Javert.

Abigail Tong at the tragic Eponine gives us the the show-stopper On My Own, and there are outstanding contributions from Lucy Charnock (Cosette), Jon Barakat (Marius), Jessica Long (Fantine), Michael Manser (Enjolras) and Emma Charnock (Young Cosette) and  Shane Harper and Sarah Berriman as the seedy, innkeeper, Thenardier and his cunning wife.

An excellent orchestra, under musical director Oliver Rowe, and Sarah Berriman's slick choreography, complete a cracking show directed by Julie Mallaband.. To 06-04-13

Paul Marston

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Daggers Drawn

Aldridge Youth Theatre

****

IN Mugged by Andrew Payne bullying and theft was followed by a fatal stabbing with pupils having to decide what to  tell police and innocent victim Marky (Jack Heaven) wrongly suspected of being a gang member.

William Young impressed as Marky's pal, Dig, with Shona Tulloch convincing as Soph who was mugged for her mum's mobile phone, leading to tragedy when Marky attempts to retrieve it – reported by on-the-spot TV reporter (Daniel Foster) and TV newsreaders Catherine Hooper and Charlotte Allen.

The second play, Living with Lady Macbeth, by Rob John, saw Natalie Webster excel as Lily who is determined to clinch the role of Lady M in the school play when even her mum (Catherine Hooper), boyfriend Barry (Daniel Foster) and teacher Ms Bevis (Katie Arblaster) didn't rate her chances, but loveable Lily refused to back down.

Both plays were directed by Jo Smith.

Paul Marston

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Edge of Darkness

Lichfield Players, Lichfield Garrick

****

IT'S obvious from the start of this clever play by Brian Clemens that something strange surrounds the return home of 23-year-old Emma Cranwell after a mysterious absence of three years.

She has amnesia and is overhead speaking Russian while brandishing a knife at a portrait in the living room.

Newcomer Jen Austen is convincing as Emma and there are impressive performances from Phil Shaw and Gina Martin, as her parents Max and Laura.

There is something strange about them as well and despite apparent wealth, financial problems are soon apparent. Even so they engage a new butler, Hardy (Brian Asbury) who adds to mystery which deepens with the arrival of half-Russian stranger Livago (Stuart Goodwin) with a shock announcement about  Emma.

Samantha Richards completes a fine cast as the maid, Penny, in this intriguing drama produced by Andrew Bodger. To 23.03.13

Paul Marston

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Annie

Walsall Operatic Society, Lichfield Garrick

****

CHILDREN rule in this tale of orphan Annie who charmed the US President and helped kick-start the  revival during the Great Depression.

Marston Green schoolgirl Kasey Robinson, aged 11, is a delight as the plucky redhead  invited to spend Christmas with billionaire Oliver Warbucks who enlists to help locate her missing parents.

She has a fine voice,  tap-dances, and  oozed confidence singing The Sun Will Come Out Tomorrow and encouraging the 11 other excellent girls in the New York Municipal Orphanage - with tiny Emily Hardy (Molly) a bubbly bundle of fun.

The adults also excel. Steph Coleman os outstanding as Miss Hannigan,, Andy Jones is a convincing Warbucks and Lauren Key is the perfect secretary, Grace Farrell.

Tom Fletcher and Kellie Humphrey earn high marks as the con-couple Rooster and Lily St Regis, and there is an amusing contribution from Ben Coleman (radio presenter Bert Healy). To 16.03.13

Paul Marston

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The Pirates of Penzance & Trial by Jury

Walsall Gilbert & Sullivan Society

Forest Arts Centre, Walsall

****

THIS double bill celebrates the 50th anniversary of the society with two operettas performed in 1963 with two of the original cast - Pamela Robinson and Dylys Bradbury - on stage again in Trial by Jury.

Pamela is also the producer while Dylys has appeared in all 50 shows.

Trial has strong performances from Emma Jones (Plaintiff), Ian Askew (Judge), Gary Gentle (Defendant), Michael Taylor (Usher) and Liz Ellison (Counsel) while in Pirates. veteran Mac Hammond, the sargeant of police, and his eight terrified coppers are hilarious in their reluctant pursuit of the band of cut-throates, impressively led by Bryan Till, the pirate king.

Karen Marie Lyon (Mabel) and Steve Parrish (Frederic) are a perfect partnership, while Steve Groves excels as the Major General and Ann Simpson is an amusing Ruth.

Long-serving musical director Brian Hirst brings the best out of his orchestra and chorus. To 23-02-13.

Paul Marston

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Veronica's Room

The Circle Players

Aldridge Youth Theatre

****

IT had been Helen Gilfoyle's ambition to direct this chilling play since reading the story in 2006, and she has achieved it in some style.

The Mackeys, a middle aged couple who were caretakers at a family home near Boston, Mass, invite an attractive girl student and her new boyfriend back to the property.

Susan is told she resembles the family's daughter, the late Veronica, and reluctantly agrees to pose briefly as her to provide solace for a troubled sister.

Beth Howell gives a remarkable performance as Susan in her first Circle lead role, finding  herself  locked in the identity of Veronica in a room with seriously unstable people.

Jean Kerby and Clive Barlow also excel as the weird couple, cleverly switching from the seemingly sane to the obviously insane, and Thom Handley completes a fine cast as boyfriend, Larry, who offers the only hope of escape ....or does he? To 23-02-13.

Paul Marston

The company dedicated the production to Aldridge Youth Theatre's long-serving sound engineer, Richard Aulton, who died recently.

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Life and Beth

The Fellowship Players

Grange Playhouse, Walsall

***

WHEN a key cast member of this Alan Ayckbourn comedy fell ill, Chris Pomlett stepped in at short notice - to play a ghost, and gave a convincing performance as the late Gordon Timms, a health and safety officer who died after falling from a ladder!

Some of his exchanges with his horrified wife, Beth, played by Susan Lynch, provide important highlights in the second act after some of the early humour became predictable.

Beth is enjoying a little freedom from her domineering husband when well-meaning relatives turn up to provide a Christmas boost - driving her mad with their interference.

Sister-in-law Connie (Sue Richardson) drinks too much and ends up arrested by the police while son Martin (Dale Roberts) is a D-I-Y disaster to add to his mum's misery.

A convincing performance, too, from Mark Dallison as the the Rev David Grinseed. To 16.02.13

Paul Marston

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Bedroom Farce

Lichfield Players

Lichfield Garrick

***

THIS typical Alan Ayckbourn comedy is all about bed-hopping, but by the audience whose attention has to switch repeatedly to the action taking place in three different bedrooms built on stage.

Yet the main thrust of the plot concerns one young couple – Trevor and Susannah – whose home doesn't actually feature on the set. Their relationship has problems which creates problems at the three homes one Saturday evening.

Trevor and Susannah, well played by Stuart Goodwin and Amanda Robinson, arrive separately at a house-warming party arranged by Malcolm (Ian Davies) and Kate (Denise Baker).

Trevor and former girlfriend Jan (Rachel Duncan) steal a kiss but are spotted by Susannah who speeds to in-laws Ernest (Stephen Brunton) and Delia (Adrienne Swallow) who preparing to go for an anniversary dinner.

Meanwhile Jan's husband Nick (Greg Spencer),  is confined to bed with a bad back. To 02.02.13

Paul Marston

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Puss in Cowboy Boots

Spotlight Youth Productions

Brownhills College Theatre

****

THE Wild West merges with pantoland in a show that triumphed over the weather after an army of relatives and friends ensured that the 60-strong cast maintained standards  even though rehearsals, set construction and even completing costumes was disrupted.

Director Steve Groves wrote the panto which opens when rancher Cassidy's will shocks daughter Priscilla, who expected to inherit the ranch, but only gets the family cat, Caroline.

This is no ordinary cat though and Charlotte Kinson gives a remarkably mature performance as the super-puss outwitting the Black Hand Gang – and matchmaking between Jessica Foulkes, comfortable as Priscilla, and Governor's son Olly Trippledecker, well played by Dario Biedma-Coleman.

Strong contributions, too, from Tony Foxall (gang leader Jethro Gibbs), Matthew Pettifor (the Governor) and Callum Lerigo (James W. Earp), with the four Barbershop singers Ben Farmer, Dan Hardy, Nathan Owers and Matthew Trembling providing sharp comedy. To 26.01.13

Paul Marston

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 Red Riding Hood

Aldridge Youth Theatre 

***

GOOD pantos benefit from a good dame and this one written and directed by Neville Ellis has a stunner!

George Caulton is rarely off stage as Dame Hatty Hood. He has been an AYT regular over the past ten years, and is a hoot as Rosie Hood's mum.

And there is another outstanding performance from choreographer Natalie Webster, who plays larger-than-life Cherry Bo Peep, singing about 'Walsall is the place for me' while tangling with the sharp-fanged Big Bad Wolf (George Wyton) and his apprentice Loopy (Daniel Boot).

William Young is excellent, too, as village yob, Asbo Hood, while Natalie Ashcroft (Rosie Hood) and Jon Flood (Squire Twigg) also impress.

Music is from Guy Rowland (piano) and Ray Vale (drums), in a panto with one fault - a 10.25pm finish is too long. Oh yes it is!

Further performances are on January 17, 18, 19, 24, 25 and 26

Paul Marston

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Iolanthe

Erdington Operatic Society

Sutton Coldfield Town Hall

****

WHEN it comes to staging Gilbert & Sullivan this award-winning company take some beating!

They have outstanding leads, an excellent chorus and presentshows in a lively and imaginative fashion with Iolanthe yet another triumph. The costumes provided a blaze of colour in the comic opera which made its debut in London's Savoy Theatre – the first to use electric lights - in November 1882.

So it was fitting that, 130 years on,  EOS had fairies with illuminated wands, Peers with twinkling crowns, and musical director David Allen conductiong his excellent orchestra with a light on the tip of his baton.

Terrific performances from Barbara Hayward (Iolanthe), Colin Lapworth (Lord Chancellor – also director and choreographer), Nick Hardy (Strephon), Letty Cheadle (Phyllis), Peter Turner (Earl of Mountararat), Brian Trott (Earl Tolloller), Pam Cooper (Queen of the Fairies) and Paul Wozniak (Private Willis). To 10.11.12

Paul Marston

*This company still open their shows with the National Anthem. Are they unique?

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Les Miserables - School Edition

Bmos Youtheatre

The Old Rep

****

CHEERS and a standing ovation is the least an outstanding young cast deserved for their stunning presentation of Alain Boublil and Claude-Michel Schonberg's great musical.

The cast, aged 10 to 18, produce a performance that crates much of the drama and emotion audiences expect from the adult version.

It has cost £18,000 to stage the show which oozes talent at all levels, with James Reidy an excellent Jean Valjean, the former convict relentlessly pursued by single-minded policeman Inspector Javert, superbly played by Nathan Queeley-Dennis.

Sparkling comedy is provided by Joe Logan and Grace Gwynne as the seedy inkeeper, Thenardier and his wife, and there are excellent contributions from Georgie Hughes (Eponine), Louis Delaney (Gavroche), Sam Butters (Enjolras), Connie Ross (Fantine) and Isobel Robinson (Cosette).

Directed by  Alan Hackett with musical director Chris Corcoran to 10-11-12.

Paul Marston

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Joseph & the Amazing Technicolor Dreamcoat

Wbos Youtheatre, Lichfield Garrick

****

IN celebrating their 25th anniversary, the West Bromwich Operatic Society Youtheatre have returned to their very first production and playing the Elvis lookalike Pharoah, with a wonderful range of hip shakes, is Matthew Nicholas whose uncle, Jason, created the role for the company back in 1987.

The outstanding band of youngsters fill the stage with sparkling dancing to Lisa Metcalfe's imaginative choreography, and what a performance, too, from Maison Kelley in the lead role of Joseph, Jacob's favourite son whose dreams upset his 11 brothers but bring him fame and fortune as Pharoah's right hand man.

The three Narrators, Anya Chalotra, Lucy Follows and Lydia Orme link the action together splendidly and there is an amusing contribution from Frazer Shine, one of the brothers, particularly his French accent in 'Those Canaan Days'.

Well directed by Adam Lacey, with Ian Stephenson's musical direction, to 19.11.12

Paul Marston

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Richard III

Lichfield Players, Lichfield Garrick Studio  

***

A NOTE in the programme for the last production by this company announced: Coming up next is Richard III.

Soon afterwards the kings remains were found in a Leicester car park and it is tempting to wonder what he would have made of this production.

The 20-strong cast wear modern clothes, Richard's hump has gone and instead of swords its guns and mobile phones

Chris Stanley gives a powerful performance as the Duke of Gloucester, later Richard III, and for him its a family affair - his wife Sarah plays Lady Anne, while sons Lewis and Tom are the princes in the tower.

Fine contributions, too, from David Stonehouse (Duke of Buckingham) and Stuart Goodwin (Earl of Richmond). Directed by Ian Parkes. To 27.10.12

Paul Marston

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Whistle Stop West End

Brownhills Musical Theatre Company

Brownhills College Theatre

****

A YOUNG cast of over 50 bring the West End to Brownhills with this impressive song and dance concert.

The company deliver a programme bursting with excellent music from great shows and sparkling choreography.

And when they introduce items from Barnum, they are able to turn on a few clever circus tricks . . .juggling, somersaults and plate spinning!

In Act One, Helen Norgrove, Kate Rock and Karen Cockitt delight the audience with three of Andrew Lloyd Webber's love songs, and before the interval Katie Shuck and the full company sparkle in I Got Rhythm.

Later outstanding contributions come from Karl Steele (This is the Moment, and Singin' in the Rain) and there's even  a bit of fun with the Addams Family.

Produced by Richard Haines and Pete Smith, with Chris Corcoran's musical direction and Sarah Haines' choreography, the show runs to 27-10-12.

Paul Marston

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Carousel

Lichfield Operatic Society, Lichfield Garrick

****

IT has cost £38,000 to stage but the company and their customers must feel it is worth every penny.

There is a stunning opening to this production telling of love and tragedy when fairground barker Billy Bigelow marries one of his young admirers, Julie Jordan. During the overture, the cast drift around the fair, watching dancing girls, jugglers or riding the carousel, and at the close the entire company join in You'll Never Walk Alone.

Former cathedral choirboy Nick Lawrence is outstanding as the surly Bigelow who realises the error of his ways too late, and Jenny Barlow-Jennings excels in the role of his patient partner, Jule.

On the lighter side there are lovely performances from Kathy Coombes as Julie's friend, Carrie Pipperidge, and James Pugh, the jolly fisherman, Mr Snow.

Directed by Julie Mallaband with Sarah Clark's choreography and Oliver Rowe's excellent musical direction.To 27.10.12

Paul Marston

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Once a Catholic

The Circle Players

Aldridge Youth Theatre

***

WHEN this amateur company moved from Kingstanding to perform at Aldridge Youth Theatre in 1990, Mary O'Malley's comedy was their first production and its sexual content and digs at the Catholic faith produced some complaints..

But there's no doubt the story of life in the Convent of Our Lady of Fatima - a grammar school for girls in North Birmingham during the 1950s - is humorous in parts, particularly when Father Mullarkey (Lee Tregellis) interrupts his breakfast to hear a naughty confession from Mary Mooney (Clair Tregellis).

At times the action is a little disjointed with many curtain closures, and during a lecture on mortal sins there was a theatrical sin on opening night, when the cast couldn't quite hear the prompt!

Fine performances from Liz Daly (Mother Peter) and Thom Handley (Derek) in the play directed by Margaret Jeffcoat. To 20.10.12

Paul Marston

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Calendar Girls

The Fellowship Players, Grange Playhouse, Walsall

****

Tim Firth's emotional play based on the film is so popular that the Fellowship Players easily sold every ticket for their ten performances with a waiting list.

Sam Allan impressed as Annie, whose husband John (Mike Klymko) dies of cancer, prompting members of her Women's Institute to go nude for a calendar, hoping to raise just a few hundred pounds for a new settee at the local hospital -  they raised £3million and counting.

A fine performance, too, from Shelley Jennings playing Chris, the driving force behind the project and Rosemary Manjunath pressed the humour button beautifully in the role of Ruth, who first refused but  eventually took part in the famous photo shoot.

Ruth Bosman (Cora), Vida Green (Jessie) and Sharon Scragg (Celia) were the other excellent calendar girls in a show directed by Alan Lowe and produced by Jennifer Smith. To 13.10.12

Paul Marston

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The Sound of Music

South Staffs Musical Theatre Company

Grand Theatre, Wolverhampton

****

A CAST of 40 hit the peaks in this Rodgers and Hammerstein musical about the love story  between a young postulate nun and a naval captain in 1930s Austria.

It was a wise decision to recruit Tim Brown as Captain Georg Von Trapp. He had performed the role for Kinver Light Opera Society in May, and slotted smoothly into the role of the stern father who softens under the influence of postulate, Maria, who is sent as governess to his seven children. Claudia Gilmour is excellent as Maria, leading the confident children in Do-Re-Me and The Lonely Goatherd.

Sheila Wood (Mother Abbess), Roger Stokes (Max Detweiler) and Maria Shee (Elsa Schraeder) all make their mark in a fine show directed by Karl Veltman with James Maddison's musical direction, and music by The Midland Concert Orchestra. The musical runs to 13-10-12

Paul Marston

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Whistle Down the Wind

West Bromwich Operatic Society

Dormston Mill Theatre, Sedgley

****

THIS talented Black Country company are staging the Midlands amateur premiere of Andrew Lloyd Webber's musical with lyrics Jim Steinman.

More than 20 youngsters are in the cast and are particularly impressive in the chorus work which features songs like No Matter What., When Children Ruled the World and, of course, Whistle Down the Wind.

Set in Louisiana in 1959, the musical's plot follows 15-year-old Swallow, who discovers a bloodstained mystery man hiding in the barn and believes he is Jesus, when in fact he is a fugitive.

Kim Lavendar is excellent as Swallow, Lyndon Flavell sings superbly as The Man, and there are other impressive performances from David Walters (Amos), Joash Musundi (Edward), Laura Wynter (Candy) and Andrew Foggin (Boone).

Directed by Simon Pugh with Adam Joy's musical direction, whistles along nicely to 06.10.12

Paul Marston

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Little Shop of Horrors

Lichfield Garrick Youth Theatre, Lichfield Garrick

****

THIS is the third time the youth theatre have staged the comedy horror rock musical, and the previous Audreys  both moved on to the West End.

Siobhan Dillon is playing Molly in Ghost while Katie Kerr is in the revival of Boy George's Taboo, alongside Samuel Buttery, another LGYT graduate.

Now Lucy Charnock, 14, is in the role and her performance suggests she could head the same way.

The cast of nearly 50 are superb in the story of how a mysterious exotic plant, with a taste for blood, saves a failing florists shop.

Chris Buckle is excellent as Seymour Krelborn, the other shop assistant and there are outstanding contributions from Matthew Browne, the sadistic dentist, Orin, Jon Barakat (shop owner Mr Mushnik), and Robert Glynn (the voice of the man-eating plant, Audrey 2) in a show directed by Oliver Rowe. To 29-09-12

Paul Marston

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The Canterbury Tales

Aldridge Youth Theatre

***

A FINE cast of 14 youngsters revelled in Geoffrey Chaucer's witty tales – even arranging for the author to take a bow at the end.

His 'body' stretchered on stage as the five of four short plays opened, and the actors succeeded in a bring-him-back challenge set by four alchemists.

The cast, aged 14 to 18, performed with gusto with Steffi Procter and Natalie Webster making their marks as directors, alongside the experienced Neville Ellis and Jo Smith.

The plays - The Pardoner's Tale, The Nun's Priest's Tale, The Wife of Bath's Tale, The Knight's Tale and The Miller's Tale - were funny and lively with  Natalie Webster was particularly impressive as the Wife of Bath.

Fine performances, too, from William Young, George Caulton and Jon Flood as Tom, Dick and Harry, George Wyton (the Knight), Katie Arblaster (Alison, a young wife), and Ella Parkes (Queen Guinevere). To 22.09.12

Paul Marston

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Tiptoe Through the Tombstones

Lichfield Players

Lichfield Garrick

***

AUTHOR Norman Robbins made it clear that this sequel to his A Tomb with a View, was a spoof.

The plot, which has Tomb family solicitor Mortimer Crayle (Phil Shaw) planning to bump off clients for their dodgy inheritance, takes some swallowing - like the poison swilling around on stage - and at times the action is laboured.

As the bodies pile up and a mystery figure dressed as a clown appears, occasionally, once spraying cyanide, the audience attempt to guess whodunit without a policeman in sight to help!

Some sound effects needed tightening up – a  strange sounding door knocker for one, then a distant 'bang' seconds after the killer had clearly pulled the trigger.

Top performance came from Sam Crawford as Vernon Prewitt, the gay (or was he) cleaner, called in to tidy up decaying Monument House.

Directed by Ian Davies to 15-09-12.

Paul Marston

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Miss Saigon - School Edition

Wolverhampton Youth Music Theatre

Arena Theatre, Wolverhampton

****

ONE of the first amateur companies in the country to stage Claude-Michel Schonberg and Alain Boublil's dramatic musical, Wolverhampton YMT have turned the challenge into a triumph.

Based on Puccini's beautiful opera Madam Butterfly, it is an emotional love story revealing an American GI's romance with pretty 17-year-old Vietnamese orphan, Kim, a newly recruited bar girl in a sleazy club run by the scheming 'Engineer'.

There are delightful performances from Tom Winfield as soldier Chris and Aimee Fisher (Kim) whose singing and acting - particularly in the duet Sun and Moon - is outstanding, and Fraser Callaghan gets it just right in the role of the Engineer and his American dream.

Directed by Ben Cole with Laura Canadine's choreography and Mike Cotton's splendid musical direction, Miss Saigon - a sell-out - runs to 08.09.12.

Paul Marston

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Once Upon a Dream

Spotlight Youth Productions, Brownhills College Theatre

****

THIS company has a reputation for writing its own musicals and this time it was director Jackie Anderson's turn to accept the challenge.

She produced a clever tale based on A Midsummer Night's Dream, with fairies, royals, a pop band and groupies.

The young cast of sixty revelling in songs like Don't Stop Me Now, Glad All Over. Shang-a-Lang, Stupid Cupid, Hushabye Mountain, The Impossible Dream, and I'm a Believer and a popular scene with Luke Groves (Bottom) in Elvis gear singing All Shook Up.

Other outstanding contributions came from Matthew Kinson (Punk), Bethanie Hayton (Cupid), Tony Foxall (Oberon), Charlotte Kinson (Titania) and David Anderson (John), while chorus member Laura Birkbeck received a special cheer when she appeared with the Olympic torch she carried in Birmingham.

Produced by Nigel Anderson and Steve Groves, with Ian Windsor's musical direction to 14-07-12.

Paul Marston

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Crazy for You

BMOS, The Crescent Theatre

****

THE West End version closed last year and the amateurs of the Birmingham and Midland Operatic Society are now doing justice to the Gershwin musical.

The quality of their tap-dancing gives the production real zip, and choreographer Sarah Hickman has done a tremendous job.

Leading from the front is Richard Ainslie, playing rich boy Bobby Child, desperate for a stage career but sent to the ailing town of Deadrock, Nevada to close its Gaiety Theatre.

He excels with his singing and dancing, and is involved in a hilarious sketch with New York follies director Bela Zangler (John Spencer) when they mirror each other's actions perfectly. A fine performance, too, from Abigail Wells as Polly Baker and there is plenty of humour, especially from Jonathan Eastwood (Lee Hawkins) and Sally Jolliffe (Irene Roth).

Directed by Stephen Buckham with David Easto's musical direction it runs to 14-07-12

Paul Marston

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Pride & Prejudice

The Crescent Theatre

*****

THIS classic Jane Austen story of love, ambition and snobbery among the landed gentry of 19th century England was given a stunning send-off at the theatre's Ron Barber Studio before moving outdoors with the touring company.

This new adaptation is a beautifully acted delight with Hannah Parker superb as Elizabeth Bennet, second of five unmarried daughters of a Hertfordshire country gentleman, clashing with the apparently aloof and condescending Fitzwilliam Darcy, excellently played by Matthew Hopkins.

Julie Lloyd delivers wonderful expressions and mood changes as the girls' ambitious mother while Nicky Turner is a bubbly Lydia, and there are splendid performances from Taylor Howson (Caroline Bingley), Lee Davies (Rev William Collins), Alan Bull (Mr Bennet) and Susan Lynch (Lady Catherine De Bourgh.

The play, directed by Andrew Smith, has impressive original music composed by University of Birmingham graduate Erica Reed.

Paul Marston

Pride & Prejudice can be seen at the Botanical Gardens (July 12), Castle Bromwich Gardens (July 14 & 15, St Nicholas Place, Kings Norton (July 18 & 20, and Harvington Hall, Kidderminster (July 21 & 22).

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Little Shop of Horrors

The Fellowship Players

Grange Playhouse, Walsall

***

IT'S rare for this amateur company to stage a musical, but Alan Menken and Howard Ashman's tale of a speaking, man-eating plant is something they have managed to get their teeth into.

Well staged, with the convincing plant growing to mini-car size inside Mushnik's ailing Skid Row florist's shop, the show includes plenty of humour amid its darker side.

Roddy Lynch acts and sings well as shop assistant Seymour who finds the plantand names it Audrey II after the pretty blonde colleague he secretly admires.

But when Seymour realises the plant needs human blood to survive, things start to go wrong.Jennifer Smith is an excellent Audrey, abused by her pain-loving dentist boyfriend Orin (Stephen Ralph), and she impresses with Lynch in the duet, Suddenly Seymour.

Directed by Michael Penn, with Mike Klymko's musical direction, the Little Shop of Horrors stays open until 16-06-12

Paul Marston

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Grand Hotel - The Musical

Crescent Theatre Company, The Crescent Theatre

***

THIS George Forrest, Robert Wright and Maury Yeston musical,  set in 1928 Berlin when hotel guests faced a Europe hit by financial crisis, moght be a little close to home for some..

It is well staged with impressive acting, but the story is heavy going, and expectations have changed markedly from when the 1989 Broadway production was nominated for 12 Tonys and collected five.

The music is more pleasant than memorable and Tiffany Cawthorne's choreography bright with outstanding performances from Charlotte Dunn as Flaemmchen, a typist dreaming of Hollywood success, and Mark Horne as terminally ill Jewish bookmaker Otto Kringelein.

Strong contributions, too, from Andrew Smith (destitute Baron Felix Von Gaigern) and Angela Daniels (fading ballerina Elizaveta Grushinskaya).

The hotel foyer set with a revolving door, works well and the band, under musical director Gary Spruce, are excellent.

Directed by Alan K. Marshall, to 02-06-12

Paul Marston

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Wedding of the Year

Lichfield Players, Lichfield Garrick Studio 

***

SINCE this Norman Robbins farce was first published in 1976, political correctness have made the plot a little uncomfortable.

Robbins wrote it after being in a play with a large lady who told him bitterly: "I wish someone would write a part for a fat girl and make her the lead. I never get a decent part in anything”.

From that came the story of overweight Alison Murchinson, linked by a relative to the dim, accident-prone son of a neighbour, to enter a Wedding of the Year competition.

Dawn Nicholson, playing Alison, is hardly overweight, but, wearing baggy clothes, she does her best to convince while Steve Appleyard is believable as the plotting Uncle Frank, Rosemary Bodger gives a strong performance as Alison's mum, Ethel, and there are amusing contributions from Pauline Fowler and Delia Lucreman as the proverb-quoting aunts Matilda and Honoria.

Directed by Andrew Bodger it  runs to 26.05.12

Paul Marston

*Some members of the audience complained about the noise from the Bob Geldof concert in the main theatre on Wednesday night. A continual boom, boom, boom could be heard in the Studio while the Lichfield Players were performing

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Jane Eyre

The Crescent Theatre

****

NINE actors, some playing multiple roles, deliver a gripping version of Charlotte Bronte's classic exploring the relationship between modest governess Jane Eyre and Edward Rochester, master of Thornfield Hall.

Adapted by Polly Teale, it suggests that Rochester's first wife, Bertha Mason, a mad woman secretly locked in an attic, is actually a manifestation of Jane's passionate inner self.

It requires Paula Wall (Bertha) to be on stage for the entire show, and she gives a wonderful performance switching moods from placid and loving to violent and frightening.

Making her acting debut Stourbridge drama student Daisy Barrett-Nash is excellent as Jane while Jeremy Wyatt is a convincing Rochester and Daniel Wilby sparkles as a lord, a clergyman, and even Rochester's pet dog, Pilot. Outstanding contributions, too , from Peter M. Smith in a trio of parts, including Rochester's horse, and Alice Winstanley (Adele/Abigail). Directed by Karen Leadbetter to 12-05-12

Paul Marston

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The Producers

Brownhills Musical Theatre Company

Lichfield Garrick

*****

MEL Brookes' musical about a scam to make a pile from a Broadway flop is a sure fire hit for Brownhills MTC.

Experienced actor Greg Yates is superb as has-been producer Max Bialystock, who sees salvation the discovery by his accountant Leo Bloom, impressively played by Karl Steele, that you can profit from a flop, with the help of sex-starved old lady investors.

So he links the most tasteless musical ever written with the worst available director and waits to cash in - except the critics love Springtime for Hitler.

Kate Rock, playing the pair's stunning blonde Swedish secretary Ulla Inga Hansen Benson Yonsen Tallen-Hallen, is . . . stunning. And there are fine performances from Richard Haines (Hitler fan Franz Liebkind who writes the show), Pete Smith (gay director Roger De Bris), and Scott Harrison (Carmen Ghia).

Directed by Tim Jones, with Jill Horne's choreography and James Maddison's musical direction, The Producers runs to 05.05.12

Paul Marston

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Calamity Jane

Lichfield Operatic Society

Lichfield Garrick

****

RECORD takings for an amateur show at the Garrick have been achieved by this talented company, and customers must have been well satisfied.

A terrific cast delivered the story of buckskin-clad Calamity Jane and her secret love, with real power, smart acting and joyful singing of numbers such as, The Deadwood Stage and The Windy City

Grammar School girl Georgina Jones, who is hoping for  a stage career, excelled in the role of Jane, a six-gun toting gal with an eye on handsome cavalry officer Lt Danny Gilmartin (Dan Anketell).

There was a clever opening to the show, with a model-sized town on stage  and fine performances from Jordan Adams as Wild Bill Hickock, Craig Allen (Henry Miller), Sophie Randal (Katie Brown), Patrick Jervis (Francis Fryer), Kathy Coombes (Susan) and Rebecca Rowley (Adelaide Adams),

Directed by Martin Rainsford with choreography by Frances Welch  and muical direction by David Easto to 28-04-12

Paul Marston

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The Wizard of Oz

Willenhall Musical Theatre Company

Dormston Theatre, Sedgley

****

FROM Birmingham Dogs Home to a starring role has been a remarkable journey for Sammi the six-year-old Yorkshire terrier cross (pictured right)

She was abandoned, heavily pregnant, had four pups in the Sunnyside centre, then recruited to play Dorothy's loyal pet, Toto..

Sammi performs like a real trouper and how the audience love her. Much credit for that goes to Claudia Gilmour, excellent in the lead role of Dorothy, who encourages Sammi through a series of scary scenes en route to the Emerald City and a meeting with the Wizard of Oz (John Wiley).

It has cost £21,000 to stage this excellent show and there are fine performances from Will Phipps (Scarecrow), Rob Dixon (Tinman) and Alf Rai (the Cowardly Lion), while Mary Mark (Good Witch of the North) and Rachel Coleman (Wicked Witch of the West) make strong contributions.

The musical, produced and directed by Andy Poulton with Meg Dowen's choreography and Karl Babarczi's musical direction runs to 28-04-12

Paul Marston

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Pygmalion

The Fellowship Players

Grange Playhouse, Walsall   

****

HIT musical My Fair Lady was based on George Bernard Shaw's classic play of 1914 so it is interesting to see how the original plot in this impressive production compares.

Phonetics expert Prof Henry Higgins has to turn scruffy cockney flower girl Eliza Doolittle into a well-spoken lady to win a bet with Colonel Pickering (Roger Shepherd).

 Jennifer Smith is a confident Eliza, blossoming to pass for a duchess at an ambassador's garden party, with Alan Lowe word perfect as Higgins who believes perfect speech is the key to success.

 A splendid performance, too, from Gerry Joyce as Eliza's father, dustman Alfred Doolittle and full marks to the set builders whose hinged walls enable the set to be transformed twice from Higgins' study to his mother's smart flat - and the four maids and one manservant who carry out the switch to generous applause. Directed by Sheila Grew Pygmalion runs to 28-04-12.

Paul Marston

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Titanic - the Musical

West Bromwich Operatic Society

Grand Theatre, Wolverhampton

**** 

NEVER afraid of a challenge, this outstanding amateur company have found a musical triumph in the centenary of the tragic sinking of Titanic with the loss of 1,517 lives.

The music and songs are enjoyable - powerful at times - and the chorus work superb while the clever use of a sloping deck helps create realistic scenes of people sliding as the ship sinks.

Directed by Mike Capri with Jonathan Hill's musical direction, there are fine performances by Andreas Hope (Captain Smith), Tim Swallow (the owner, J. Bruce Ismay), John Weatherall (designer Thomas Andrews), Craig Smith (First Officer Murdoch), Leon Davies (radio operator Harold Bride), Tye Harris (Stoker Frederick Barrett), Rachel Davies (Kate McGowen) and Sarah Moors (Alice Beane).

Frazer Shine, playing Quartermaster Hitchens, is the great-great nephew of Ellen Shine, a third class passenger who survived and lived to be 101. To 21-04-12.

Paul Marston

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Fame

Garrick Youth Theatre

Lichfield Garrick

****

HAD the cast been up for honours at a school for performing arts they would pass with flying colours in a show that is pure entertainment, packed with explosive dancing, fine songs and impressive acting.

It tells the story of the problems, success, failures and love lives of students at New York City's High School for Performing Arts.

Jessica Lambert's excellent choreography ensures realism from the word go, and Chris Buckle (Joe Vegas) delivering the very humorous song Can't Keep it Down in great style.

A fine performance, too, from Charlotte Middleton as Carmen Diaz Robert Glynn as Tyrone Jackson.

Important contributions, too, from Jon Barakat (Nick Piazza), Grace Lambert (Iris Kelly), Amy Mallaband (Serena Katz), Esme Wade (Mabel Washington), Jack Moreton (Schlomo Metzenbaum), and Laura Mallaband (Grace Lamb), with sound performances from senior cast members Julie Mallaband (Miss Sherman) and Dawn Welch (Ms Bell).

Directed by Aimee Berwick with Oliver Rowe's musical direction, To 07-04-12

Paul Marston

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Blood Brother & The Fish

Aldridge Youth Theatre

****

THIS excellent double header featured the youngsters of AYT telling two stories about twins in Liverpool and then France.

In the opening tale by Willy Russell - not the musical version - Natalie Webster, splendid as Mrs Johnston, opened with  the Marilyn Monroe song to explain her plight of children, poverty and no husband.and then is was the drama with a slightly different end  with Joseph Cryan (Mickey) and George Caulton (Eddie) were superb as the twins, parted at birth then reunited in friendship and death.

Fine performances, too, from Savannah Cook (Mrs Lyons) and Natalie Ashcroft (Linda).

In the second play, The Fish, an amusing short French comedy by Yves Cabrol, Harry Gregory played Louis Cabrol, is choosing  between twins Yvette and Celestine Plum (Emma Friend and Keyleigh Lowe), the French accents and acting were outstanding.

Both plays were impressively directed by Neville Ellis.

Paul Marston

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Duets

Lichfield Players   

Lichfield Garrick

***

The cabaret layout in the Studio with the audience at tables might help bar takings but some customers were craning their necks to see while a chilly opening night saw people donning coats to watch Peter Quilter's four short stories about relationships.

In the first, Blind Date, Jan Goodwin and Phil Shaw give an amusing performance as a mature couple who meet through a magazine ad and chat about previous attempts to find romance.

In Secretarial Skills, Mandy Davies plays a loyal secretary rewarded by a free cruise by her gay boss played by Greg Spencer who eventually convinces him to join her on board.

The Holiday sees Rosemary Bodger and Andrew Brennan as an unhappy married couple on holiday abroad and finally The Bride-to-be has Charlotte Killick as a woman set for her third marriage with Ian Davies as her brother trying to get her to the altar on time. To 31-03-12.

Paul Marston

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Half a Sixpence

Wolverhampton Musical Comedy Company   

Grand Theatre, Wolverhampton

*****

MANY of the young cast in this outstanding production admitted they had never heard of Tommy Steele, but the 1950s pop star would have loved Muscom's up-to-date version.

Amateurs they may be, but their performance simply oozes class - a credit to director-producer Denise Robinson.

Student Tye Harris is a superb lead as the ordinary shop assistant Kipps who comes into a fortune and he has  a fine partner in Claudia Gilmour as Anne, the girlfriend with which he shared a split sixpence when they parted as youngsters.

Fine performances, too, from Nicholas Sullivan as the eccentric actor/playwright, Chitterlow, and Lindsey Grant (Helen, the posh girl Kipp almost marries after striking it rich).

Costumes are excellent, so is Karl Babarczi's musical direction. To 17.03.12

Paul Marston

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Fiddler on the Roof

Walsall Operatic Society

Lichfield Garrick

****

THIS company is hitting all the right notes in the much-loved musical about a Jewish community's battle with tradition and struggle for survival in Tsarist Russia.

Chris Wolverson heads a fine cast as the warm-hearted dairyman, Tevye, facing a family crisis when three of his five daughters reject arranged marriages and want to choose their own partners.

He is convincing and handles all the big numbers, particularly If I Were a Rich Man, comfortably, then combines well with Jayne Ison (his wife, Golde) in the amusing duet, Do You Love Me.

Excellent performances, too, from Rose Burnell, Kelly Humphrey and Lauren Key as daughters Tzeitel, Hodel and Chava, Craig Smith (Motel the tailor), Tom Fletcher (Perchik, the student) and Trish Humphreys (Yente, the matchmaker).

Directed by Richard Poynton with Charlotte Mills' choreography and orchestra under musical director Tom Brookes it runs to 17-03-12.

Paul Marston

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The Witches of  Ruddigore

Walsall Gilbert & Sullivan Society

Forest Arts Centre

****

THE 49 year-old company have switched from Brownhills to Walsall's Forest Arts Centre and the  floor-level stage clearly suited the cast, particularly in the second act in the picture gallery of Ruddigore Castle

Then the ghosts of the haunted family step from their portraits to threaten Sir Ruthen Murgatroyd (well played by Ian Askew) that he must commit a crime a day to avoid a violent end.

Darrell Burns (Sir Roderick Murgatroyd), on his company debut, sang When the Night Wind Howls beautifully and there were some lovely exchanges between Rachel Eyre (Mad Margaret) and Brian Marshall (Sir Despard Murgatroyd).

Adrian Davies-Ratcliffe excelled as Old Adam Goodheart) with splendid contributions from Ann Simpson (Dame Hannah), Karen Marie Lyon (Rose Maybud), Gary Gentle (Richard Dauntless), Emma Jones (Zorah) and Nikki Lycett (Ruth). Produced by Karen Marie Lyon with Rachel Eyre's musical direction it ended on 10-03-12.

Paul Marston

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The Crucible

Crescent Theatre Company

Crescent Theatre   

****

THE ease with which innocent people could be accused of witchraft and hanged in 1692 Salem, Massachusetts, gives this outstanding amateur company the perfect opportunity to display their acting skills.

On a sinister set by Anne Pawlak and Keith Harris, farmer John Proctor and his wife, Elizabeth find themselves  caught up in a witch hunt after a bit of mischief by children seen in the woods.

Mark Thompson is convincing as the innocent Proctor, hoping to save Elizabeth (Danielle Spittle)  by revealing in court that he had an affair with 17-year-old Abigail Williams (Amy Harrison), his former servant. His anguish of conscience is superbly revealed  when, only by lying and admitting to witchcraft, can he escape death. But will he?

Hugh Blackwood is a powerful Rev Hale, and there are excellent contributions from Robert Laird (Rev Parris), Dave Hill (Deputy Governor Danforth), and Norman Thackwray (Giles Corey). Direction by Les Stringer with Gary Spruce's musical direction. To 03-03-12

Paul Marston

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The Cat's Meow

The Circle Players

Aldridge Youth Theatre

****

THE players gave an Oscar-winning performance in Steven Peros' play about the death of movie mogul Thomas Ince in 1924.

Charlie Chaplin was also on board wealthy publisher William Randolph Hearst's yacht, The Oneida, so it was appropriate that the cast were all in black-and-white costumes.

Love affairs, jealousy and deals were on the agenda during the weekend cruise, and Hearst - impressively played by Lee Tregellis - shoots and injures Ince in mistake for Chaplin who he suspected of being involved with his long-time companion, actress Marion Davies.

Eleanor Ball was a convincing Davies and there was a fine performance from Thom Handley, as Ince. Matt O'Hare proved a confident Chaplin, and there were excellent contributions from Freda Simpson (writer Elinor Glyn), Fay Mason (young actress Margaret Livingston) and Liz Daly (Louella Parsons).

Directed by Alex Howell, The Cat's Meow closes 25-02-12

Paul Marston

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 ‘Allo ‘Allo

The Fellowship Players

Grange Playhouse, Walsall

****

ALMOST military precision has gone into the staging of this much loved TV show, starting when the customers arrive to be welcomed by female members of the French resistance, in trench coats and berets.

There were a few hiccups on opening night; the café's front door jammed and some of the accents needed a bit of attention, which should improve during the run, but overall it is an enjoyable telling of David Croft and Jeremy Lloyd's tale.

Mike Klymko is a convincing Rene, keeping his affairs with waitresses Yvette (Michelle Jennings) and Mimi (Emma Thorp) secret from his wife Edith (Ruth Bosman).

There are also strong performances from Sam Crawford (Italian Captain Bertorelli), Roddy Lynch (Lt Gruber), Bryan Jennings (Colonel Von Strohm), Francesca Richards (Helga) and David Brown (Herr Otto Flick) . . . but did the latter forget his limp when first appearing?

Directed by Jennifer Smith, ‘Allo ‘Allo runs to 11.02.12

Paul Marston

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Lords and Ladies

Lichfield Players

Lichfield Garrick

***

RATED as the biggest player's production for some time, the challenge of Terry Pritchett's fantasy is met with a fair degree of success.

Some people may find it difficult to follow at times, staged as it is in the mountainous forests of Lancre on Discworld, involving witches, wizards, lords and ladies – dangerous elves led by a queen (Lydia Clements) and a king (Brian Todd) - and a range of other bizarre characters, including an intelligent ginger orang-utan!

There are outstanding performance from Gina Martin as witch, Esmeralda Weatherwax, ably supported by the humorous broomstick-toting Adrienne Swallow (Gytha Ogg).

Fine contributions, too, from Sarah Stanley (Magrat Garlick), Brian Asbury (the wizard Professor Mustrum Ridcully), Ian Davies (King of Lancre) and Maurice Allden (Casanunda, the world's second greatest lover). Directed by David Titley - to 04.02.12

Paul Marston

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Our House

Coppice Performing Arts School

Grand Theatre, Wolverhampton

***

YOU can't help admiring the enthusiasm of  the young cast in this show, featuring music and lyrics by Madness, but even that doesn't lift the story above the average.

At times the action stumbles along in the rather confusing tale of hapless urban teenager Joe Casey who celebrates his 16th birthday by breaking into a building site overlooking his home, apparently believing it will impress his girlfriend.

The story is heavy going, illuminated only by the best known songs Our House and It Must Be Love and a lively finale.

Jay Wiley is a confident Joe, and Amy Goodall reveals the best voice in her role as girlfriend Sarah.

Our House was directed by Stephen Clifton, with Nick Lacey's musical direction. To 28-01-12

Paul Marston

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Cinderella

Spotlight Youth Productions

Brownhills College Theatre

***

SPOTLIGHT'S panto, updated by director Steve Groves, sees a cast of over 60 revelling in the story of Cinderella.

Helping her rags-to-riches rise is Fairy Jobmother, splendidly played by 12-year-old bundle of energy and charisma, Charlotte Travis who - with a star on the end of her wand - is magical; and there are many other outstanding performances. Andrew Cox, as Buttons, is the perfect link with the audience, while Charlotte Kinson (Cinderella) and Christopher Allen (Prince Anthony) are an ideal partnership earning warm applause for their duet, More Than Words.

Strong contributions, too, from Jessica and Charlotte Foulkes as step-sisters Davina and Cheryl, Luke Groves (stepmother Martha), David Anderson (King James) and Deborah Allen (Queen Barbara).

Produced by Nigel Anderson with Ian Windsor's musical direction, Cinderella tuns to 28-01-12

Paul Marston

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The Pied Piper

Aldridge Youth Theatre

****

IT may be the final pantomime of 2011 – of first of 2012 -  but this lively show by AYT is a real cracker.

Neville Ellis's story of rats plaguing Hampton-in-the-Marsh gives the talented cast a chance to show just what they can do and with the help of Dexter Whitehead's direction and Joanne Billingham's choreography, the youngsters deliver.

The leads are outstanding, with Joseph Cryan,18, in sparkling form as Paddy O'Piper,  ably supported by his amusing side-kick Dougie Drum (Will Young).

A superb performance, too, from Aimee Hall, rarely off stage as untidy farmer Heidi Hayseed. Paul Atkins is a splendid Rizzo Rat  with strong contributions from George Caulton (Dame Dilly Dumpling), Natalie Webster (Madam Zaza), Savannah Cook (Ned Dumpling) and Katie Arblaster (Greta).

Excellent music is provided by Guy Rowland (piano) and Ray Vale (drums). Further performances will be given on January 14, 19, 20, 21, 26, 27 and 28.

Paul Marston

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Christmas Cabaret

Grand Theatre Glee Choir

Newhampton Arts Centre

****

IT'S easy to imagine some of the youngsters in this impressive show making it onto the professional stage at some point in the future.

Aged between eight and 18, they performed with supreme confidence in a cabaret with a Christmas theme, staged on two nights.

Formed nearly two years ago by Louise Bent, education officer at the Grand Theatre, the group now has about 80 members, some of whom have already appeared in professional shows at the City's premier theatre.

The cabaret was cleverly compered by Tara Brown and Faraz Rafiq who also combined in an amusing duet, Fairytale of New York before the finale, O Holy Night, featuring the full company.

Ben Croydon provided one of many highlights playing guitar and singing Happy Christmas (War is Over), and there were outstanding contributions from Nicole Appleby (Hallelujah), the Rock Chix 6 (Greatest Time of the Year), and Elise Poole (I Saw Mummy Kissing Santa Claus), while Tilly Thompson and Ben Evans delighted the audience with the humorous Baby It's Cold Outside.

Some confident choreography, too, with Alicia Barnes chipping in with an attractive ballet dance.

Christmas Cabaret was co-produced by Louise Bent and Elaine Buckland, with Zara Phillips' choreography.

Paul Marston

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The Producers

WBOS

New Alexandra Theatre

*****

IT'S hard to believe this Mel Brooks musical about staging a Broadway flop is being produced by an amateur company.

The wonderful cast simply revel in the tale of the get-rich-quick scheme cooked up by a struggling producer and his accountant to oversell a lousy show then cash in when it closes after one night.

They find a sure-fire flop - Springtime for Hitler, a gay romp written by ex-Nazi, Franz Liebkind (Jake Sharp ) - recruit the worst director in New York, flamboyant, gay Roger De Bris (John Wetherall) – and he show . . . becomes a smash hit.

Simon Pugh is superb as producer Max Bialystock, there's a fine performance from Leon Davies as accountant Leo Bloom, and the latter's wife. Rachel, is a delight as blonde Swedish bombshell Ulla, Springtime's leading lady.

Directed by Mike Capri, with musical direction by Adam Joy and Claire Kramer's choreography, the show runs to 26-11-11

Paul Marston

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Sinbad the Sailor

BMOS Youtheatre

The Old Rep

***

IT'S panto time and the youtheatre are navigating through Sinbad's adventures with great enthusiasm.

The encouraging audience reaction helped confidence of the cats, aged 10 to 18, particularly in the second act in an amusing Walk Like An Egyptian number set in a Cairo bazaar.

James Mateo-Salt and Hannah Sefton combined well as Sinbad and Princess Miranda, with strong support from Karina Holness (Evilena), Nancy Ling (Fortuna), Nathan Queeley-Dennis (The Caliph), Griff Llewellyn-Cook (Tinbad the Tailor) and Charlotte Hill (Prince Said).

Comedy came from the dame Norma Snickers, (James Reidy) and Silly Sally (Izzie Robinson), with young Luke Tollis as The Wazir and William Mateo-Salt and Jenna Simpson an amusing duo, Snaffle and Trace.

Sinbad d by Alan Hackett with Melanie Flint's choreography and Chris Corcoran's musical direction runs to 12-11-11.

Paul Marston

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The Pajama Game

WBOS Youtheatre

Lichfield Garrick

****

NO danger of anyone nodding off watching this musical about life in a pajama factory by the West Bromwich Operatic Society Youtheatre.

Nearly 60 members of the company, aged 10 to 19, have it all sewn up with some very impressive singing and dancing during the pay battle at the Sleep Tite works in 1950s America.

They have two strong leads in Roberto Petrucco as Sid Sorokin, the factory superintendent, and Lucy Fellows, the wprkers' leader, Babe Williams, who falls for her boss..

They are impressive, particularly in the duet There Once Was a Man. Roberto also shines with the hit song Hey There

Bright comedy, too, from Frazer Shine, the factory foreman, Hines and there are important contributions from Lauren Key (Gladys), Maison Kelley (Prez) and Jack Webb, company boss Hasler, With sharp choreography from Lisa Metcalfe, directed by John Wetherall with Ian Stephenson's musical direction it runs 12-11-11

Paul Marston

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A Christmas Carol - The Musical

Bilston Operatic Company

Grand Theatre, Wolverhampton

***

FULL marks to this amateur company for landing the regional premiere of the musical adaptation of Charles Dickens' classic tale.

They manage a tough challenge with reasonable success, but the opening scenes lack flair and overall the show suffers from a lack of big numbers.

A couple of flying ghosts lift the action, with Tom Winfield revealing a fine voice as the Ghost of Christmas Past, and there is a big improvement all round after the interval.

Stephen Harper is excellent as Scrooge and there are fine performances, too, from John Halford (Ghost of Christmas Present) and young Ben Evans as Tiny Tim. Costumes are good, though even the desperately poor appear well dressed.

Janette Cole is director-choreographer and Paul Woodhall musical director To 12.11.11

Paul Marston

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The Crucible

Lichfield Players

Lichfield Garrick Studio 

***

ARTHUR Miller's play about the 1692 Salem witch trials show how easy it was in 17^th Century Massachusetts Bay for anyone to be accused of witchcraft and hanged.

The story focuses on a witch hunt sparked by young girls seen dancing in the woods at night, and the clash of farmer John Proctor with the authorities when his wife is accused.

Chris Stanley gives a powerful performance as Proctor, whose past affair with young Abigail Williams now puts his own life is in danger. He faces the dilemma of hanging or signing a confession to save his life but lose his self-esteem.

Stephen Brunton is convincing as Deputy Governor Danforth, and there are fine contributions from Eve Fehilly (Abigail), Ian Parkes (Rev Samuel Parris), Hannah Freeman (Elizabeth Proctor) and Don Harris (Giles Corey). Directed by David Stonehouse, it runs to 05-11-11

Paul Marston

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The Pirates of Penzance

Erdington Operatic Society, Sutton Coldfield Town Hall

****

AFTER a year's break from Gilbert & Sullivan the EOS have returned to their first love with this amusing tale of pushover pirates and clueless cops.

This is a stand-out production, helped by high quality costumes and a good orchestra under musical director David Allen.

Nick Hardy is excellent as Frederic who, because of a blunder by his ex nurse, is apprenticed to a pirate inseam of a pilot, and Letty Cheadle is a sparkling Mabel, falling for the reluctant pirate who plans to leave the band of cutthroats on his 21st birthday.

Colin Lapworth, more than 40 years with the society, not only directs and choreographs the show but gives a cracking performance as Major General Stanley.

Peter Turner is in fine voice as the Pirate King, Pam Cooper impresses as the bungling nurse, Ruth, and Brian Trott (Sgt of Police) and his seven terrified bobbies are a real hoot. To 05-11-11

Paul Marston

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West End Now!

Lichfield Operatic Society

Lichfield Garrick

****

MORE than 50 songs from 12 current West End shows have been packed into this sparkling show which gives the company an opportunity to parade a wide range of talent .

Researched and compiled by vice-chairman Brian Smith, it is a musical kaleidoscope of memorable hits, coupled with some clever choreography by Jemma Tiso and amusing introductions from Craig Allen, Lichfield's 'Singing Postman'.

Due to copyright restrictions, original scenery, costumes and props cannot be used, but that proves no handicap as soloists and the chorus deliver high quality performances, helped by a strong orchestra directed by David Easto.

The show opens with three numbers from The Lion King and closes with an exhilarating selection from We Will Rock You, and in between there are many fine songs from some leading musicals.

Act 1 ends in spectacular fashion with the chorus singing One Day More, and Jenny Barlow Jennings, Robert Bannon and Ray Hibbs impress with solos from the same musical.

After the interval Dan Anketell, Patrick Jervis, Nick Lawrence and Mark Johnson are fine as The Jersey Boys.

From Chicago, Wendy Clarke, Rebecca Bowley, Sarah Clark, Natalie Haslam, Charlotte Middleton and Kathy Coombes are a delight in Cell Block Tango, Melanie Sutton is arresting in When You're Good to Mama and Sophie Randal outstanding with Only the Good Die Young (We Will Rock You).

A terrific performance, too, from Georgie Jones with Love Never Dies in a splendid show directed by Martin Rainsford. To 5.11.11.

Paul Marston

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 Beyond a Joke

The Circle Players, Aldridge Youth Theatre

***

FOR much of the first act in Derek Benfield's comedy it's tempting to think it should have been titled Beyond Belief.

 Six people, usually workmen, have died in strange circumstances over a period of time at Andrew and Jane's country home, but it seems no more than a coincidence until the couple's boyfriend arrives.

Geoff, played with a little too much nervous tension by Matt O'Hare, misunderstands a conversation he overhears and is convinced his prospective new family are killers.

It all seems a little over the top until Thom Handley, playing the local vicar, turns up to give the action a lift with his amusing and comfortable style, before he, too, becomes a victim of the accident-prone home.

Clair Tregellis plays Jane, George Georgiou is Andrew and Eleanor Ball their daughter, Sally, in a play which benefits from a fine set but needed too many prompts on opening night.

Directed by Carol Grice, it runs to 22.10.11

Paul Marston

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Guys and Dolls

South Staffs Musical Theatre Company

Grand Theatre, Wolverhampton

****

WHEN it comes to multi-tasking Maria Shee holds all the cards in this musical about gamblers, gangsters, girls and a mission in need of sinners!

She gives a delightful performance as Miss Adelaide, girlfriend of Nathan Detroit who runs the oldest floating craps game in New York.

But Maria is also the choreographer and the quality of her work stands out, particularly in Take Back Your Mink with the Hot Box Girls and when Nicely Nicely Johnson leads the cast in the stunning Sit Down You're Rockin' the Boat.

It's a sparkling musical by a talented company on its 75th anniversary, with Lucy-Ellen Parker and Simon McGee excellent as salvationist Sarah Brown, battling to keep the Save a Soul Mission open, and gambler Sky Masterson, just as determined to take her out and win a bet. 

Alf Rai (Nicely Nicely), Roger Stokes (Nathan Detroit) and Will Phipps (Benny Southstreet) also impress in a fine musical directed by Karl Veltman with James Maddison's musical direction. T0 15-10-11

Paul Marston

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The Graduate

The Fellowship Players

Grange Playhouse, Walsall 

YOUNG Daniel Holyhead landed the challenging part of brilliant graduate Benjamin Braddock in this stage version of the famous 1967 American film, and he passes the test with distinction.

 The teenager is totally convincing as the rich man's son trapped into an, at first, unwanted affair with the alcoholic wife of his father's business partner and best friend.

 In the motion picture Benjamin was played by Dustin Hoffman and the sexy Mrs Robinson by Anne Bancroft, and Terry Johnson's adaptation of Charles Webb's novel works extremely well, despite the need for fourteen scenes.

 Here Susan Lynch is excellent as Mrs Robinson, and the seduction scenes in the play, directed by Stephen Ralph, are cleverly staged after she strips to her underwear, at first to the anguish of blushing Benjamin. To 15.10.11

Paul Marston

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 Hobson's Choice

Aldridge Youth Theatre

****

THE youth theatre's senior section reached new heights in staging Harold Brighouse's classic Lancashire comedy about Salford bootmaker Henry Horatio Hobson.

Set in the 1880s, it reveals how the successful businessman used his three daughters to run the shop - unpaid - while cashing in on the skill of timid worker Willie Mossop.

Not an easy task for the teenage cast, but they simply revelled in the Victorian humour, were totally convincing, and thoroughly deserved the cheers at the final curtain.

There was a memorable performance from Joseph Cryan as bootmaker Mossop, terrified of his bullying boss - splendidly played by Alexander Fisher - and stunned when Hobson's eldest daughter, Maggie - brains behind the business - decides she is going to marry him and set up a rival shop.

His transformation from frightened worker to confident businessman was exceptional, while Natalie Webster sparkled as the determined Maggie, and Katie Arblaster and Savannah Cook - Maggie's sisters Vickey and Alice - delivered a range of wonderful expressions.

Strong contributions, too, from George Caulton (Albert Prosser) and David Bruce (Freddy Beanstock) in a play well directed by Patricia Harrison. To 24.09.11

Paul Marston

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An Ideal Husband

The Crescent Theatre Touring Company

Botanical Gardens

****

 YOU have to admire the spirit of people who organise open-air events during an English summer, and this company's 2011 tour has opened in what could be called typical weather.

On the first night a downpour soaked the cast in their period costumes, but the show went on, and the second night in the beautiful setting of the Botanical Gardens saw the audience of over 100 huddled in overcoats, woolly hats and covered in blankets against the chill wind after enjoying their picnics, wine, and hot coffee.

But the acting in Oscar Wilde's 1895 comedy-drama was superb, and if anyone missed a word of the clever dialogue it was only because a peacock strutting through the folding chairs chose to call his mate a few times.

The story involves an attempt at blackmail over an incident of political corruption - so nothing new there - and Sally Wood is a delight as the scheming Mrs Laura Cheveley, an attractive guest during a social gathering at the plush Grosvenor Square home of Sir Robert Chiltern, a rising statesman with an apparent blameless background.

Gerry Hudson gives an outstanding performance as Sir Robert who is suddenly faced with the prospect of resignation from the House of Commons unless he agrees to Mrs Cheveley's demands, and there are excellent contributions from Simon Garrington (Viscount Goring), Anna Downes (Lady Chiltern) and Alan Bull (Earl of Caversham).

Directed by Robert F. Ball, the play continues its tour at Castle Bromwich Hall Gardens (July 2 & 3), St Nicholas Place, Kings Norton (July 5 & 6), Highbury Hall (July 7), Hall's Croft, Stratford-on-Avon (July 9) and Harvington Hall (July 16 & 17).

Paul Marston

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Outside Edge

Circle Players,

Aldridge Youth Theatre

***

THIS Richard Harris comedy about a village cricket team and the women behind the players gets off to a very slow start.

Some of the early humour is rather predictable, but thankfully the pace in Gill Troman's production increases in the second act as the hundred comes up on the scoreboard.

The impressive set representing the inside and front of the club's pavilion was designed by Bob Jeffcoat, Lee Tregellis and Colin Troman, and it works well.

Clive Barlow is convincing as Roger, the pompous club captain, and Liz Bennett, playing his timid wife, Miriam, gives an amusing performance coping with all his excessive demands until she rebels and wrecks the scoreboard.

Also enjoying a decent innings are Liz Daly (Maggie), Stan Hubbard (Bob), Thom Handley (Dennis), and Matt O'Hare (Kevin). To 25-06-1.

Paul Marston

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Duets

The Fellowship Players

Grange Playhouse, Walsall

****

HUMAN relationships are examined in Peter Quilter's four amusing mini-plays set in four different apartments on one stage.

How the company manage such a slick changeover between the two stories either side of the interval becomes a very important part of the enjoyment for the audience.

Instead of quietly moving in to change the window view, the colour of the settee, the kitchen unit and the position of the front door (on wheels), scene shifters Sue Richardson and Stephen Ralph ham it up to music.

Wearing high visibility jackets, they sing as they work - A Fine Romance for their first offering, then Me and My Shadow, all put together with some neat choreography. If the posing pair didn't exactly steal the show, they certainly borrowed it! With the help of Mike Klymko (keyboard).

Dale Roberts (Jonathan) and Jill Simkin (Wendy) get the ball rolling in Blind Date, meeting in his flat after making contact through a dating magazine, she arriving with a chunk of cheese rather than a bottle of wine. Their negotiations are a hoot.

In Secretarial Skills, Kay Munday plays Janet who seems to attract no romantic interest from gay boss Barrie (Mark Dallison), but in the end he sends her on a cruise, and agrees to go too.

Sam Evans (Bobby) and Rachel Holmes (Shelley) are in a Spanish resort finalising their divorce in The Holiday, and the final play features Naomi Millard as bride-to-be Angela, preparing for her third wedding with the help of brother Toby (Alan Lowe) while coping with a string of hitches.

Directed by Dawn Vigurs, Duets runs to18.06.11

Paul Marston

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Sweeney Todd

The Crescent Theatre, Birmingham

****

THIS is a razor-sharp production by the Crescent Theatre Company who have hardly missed a trick with the musical version of the demon barber of Fleet Street.

The dark, eerie set, representing a decaying area of London in 1775, gets the audience in just the right mood for a show which has a remarkable mixture of terror, joy, humour and excellent music.

And how the cast rise to the challenge of a frightening story describing how a vengeful Sweeney Todd returns to the capital after 15 years transportation on false charges and hunts down the crooked judge who had eyes for his lovely wife.

Walsall's Lee Hodgetts is magnificent as Todd and has a splendid partner in Karen Leadbetter, playing Mrs Nellie Lovett who has a failing pie shop below the barber's shop Todd sets up to lure his victims!

She displays a real sense of fun to give the tale a bit of a lift as business booms with the Todd's victims, supposedly more than 150, filling her pies.

The cleverly designed set includes a special barber's chair which sends victims plumetting to the depths.

Outstanding performances, too, from Mark Horne (Tobias), Nick Thompson (Anthony) and Amy Thornhill Comerford (Johanna),.

Directed by Keith Harris with Gary Spruce's musical direction, the grisly tale of the cut throat barber runs to Saturday night 04.06.11.

Paul Marston

Recipe note: The printed programme contains special thanks to city stores which provided the pies used in the show. They might have wanted to keep that quiet!!

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Disney's Beauty & the Beast

Brownhills Musical Theatre Company

Lichfield Garrick

****

FOR its 40th anniversary production this outstanding company chose the story as old as time, and it's a beaut of a show.

Dave Hayward is excellent as the spoilt prince turned into an ugly horned beast when he spurns an old woman's plea for help, and he forms an ideal partnership with young Phebe Jackson, an impressive Belle in her first principal role.

The pair are convincing as the drama unfolds. Hayward's delivery of If I Can't Love Her at the end of the first act is memorable.

Another debutant, Stephen Clancy, lights up the stage at times as Lumiere, the human candelabra, and Richard Haines is humorous and menacing in the role of the village bully, Gaston.

Fine contributions, too, from Alison Room (Mrs Potts) and Pete Smith (Cogsworth).

The scene where the Beast is transformed back to the handsome Prince could be improved, but overall Tim Jones's direction is excellent. So too is the musical direction of Ian Room in his final show for the company. To 21.05.11

Paul Marston

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Oliver!

West Bromwich Operatic Society

Grand Theatre. Wolverhampton                          

****

EXACTLY ten years since they last staged the show, the talented company finds director and choreographer Mike Capri ensuring that it's as fresh and lively as ever.

Sarah Moors is an outstanding Nancy, girlfriend of the murderous Bill Sykes, and she thrills the audience with Oom-Pah-Pah and As Long as He Needs Me.

Steve Coussens is a powerful Sykes and bulldog Buster takes the biscuit for his impeccable behaviour as the villain's pet, Bullseye.

A sound performance, too, from Terry Gormley playing Fagin, while young Ben Evans acts and sings confidently as Oliver Twist and Maison Kelley is a confident Artful Dodger.

Callum McArthur and Chris Sandhu give a very sexy slant to the roles of Mr Bumble and Widow Corney, with Craig Smith and Rebecca Thorne a visually spectacular Mr and Mrs Sowerberry, the creepy undertakers.

Jonathan Hill is musical director of a cracking show. To 14-05-11

Paul Marston

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Take a Bow

WBOS Youtheatre

Mill Theatre, Sedgley                       

****

FULL of enthusiasm and bursting with talent, the 64-strong cast - aged 10 to 19 - revelled in the programme of 38 numbers.

The full company sparkled in Speed Your Journey, One Short Day, and six Abba songs which produced a rousing finale.

Grace Wyatt gave a fascinating performance with Taylor the Latte Boy, Connie Ross sang Don't Rain on My Parade impressively, and there were other strong solos from Lauren Key, Tom Whitehouse, Ross Hadley and Frazer Shine

In the duets, outstanding contributions came from Lucy Follows and Grace Wyatt and from Ellie Dabbs and Maison Kelly.

A graphic piece, too, was delivered by Kathryn Day, Bethany Mahoney, Laura Binsley, Kayleigh Timmins and Charlotte McNally in Cell Block Tango from Chicago, and a very amusing duet featured Lydia Stephenson and Connor Bacon, with zimmer frame and three-pronged walking stick, singing an old-timers' version of Sixteen Going on Seventeen which became 60 Going On 70.

Musical direction was by Ian Stephenson with Lisa Metcalfe and Claire Kramer's choreography. To 01.05.11

 Paul Marston

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My Fair Lady

Lichfield Operatic Society

Lichfield Garrick

****

MAKING her debut as production director for the company, Ruth Harvey has made quite an impact with this story of how the famous Wimpole Street phonetics expert, Professor Henry Higgins, transforms common Covent Garden flower girl Eliza Doolittle.

He accepts a challenge to use his elocution expertise to make the dustman's daughter into a lady capable of mixing with the elite, and the acton includes some great songs, like Wouldn't it be Loverly and I could have danced all night.

 Jordan Adams is an excellent Higgins, and there is a superb performance from Jo McAllister as Eliza, the 'prisoner of the gutter' who blossoms to the point where she charms royalty.

 Wonderful comedy, too, from Craig Allen playing dustman Alfred P. Doolittle, while David Hill impresses as Colonel Hugh Pickering and Eoin Edwards proves the ideal toff, Freddie Eynsford-Hill.

 The costumes are good, but the staircase in Higgins' study could do with a coat of paint. David Easto is musical director and Heidi Cresswell choreographer of a happy show . To 30-04-11.

 Paul Marston

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Double Bill

Aldridge Youth Theatre

 * * *

THE two chosen plays proved heavy going for the audience if good acting practice for the youngsters.

Black Comedy, a farce by Peter Shaffer, was often irritating, and there was little to lift the spirits in the second offering, The Fall of the House of Usher, by Edgar Allan Poe.

The comedy, directed by Dexter Whitehead, began in complete darkness, with two characters - shadowy figures on stage - chatting away for a few minutes in what, for them, was normal light.

But when the lights came on (thankfully) it was supposed to be pitch black after a power cut for the cast who felt their way around, bumping into furniture or doorways, mistaking identities and spilling drinks. Even when one of the characters turned up with a giant candle, the flame went out!

Joseph Hicklin impressed as young sculptor , while Savannah Cook played his fiancee and there were confident performances from Geroge Caulton (Colonel Melkett), Natalie Webster (Miss Furnival), and Joseph Cryan (Harold Gorringe).

The Fall of the House of Usher, directed by Richard Howell, featured strong performances by Joseph Cryan as Roderick Usher and Natalie Ashcroft (his sister Madeline), and while the Gothic tale was gloomy, it enabled the cast of six to test their acting skills, without props or scenery, opening imaginary doors, eating or pretending to be furniture and one even becoming a musical instrument.

The final performance was on Saturday night. 09-04-11

Paul Marston

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The History Boys

Fellowship Players

Grange Playhouse, Walsall

****

EIGHT young actors succeed with flying colours in Jennifer Smith's production of Alan Bennett's touching story about life in a fictional Sheffield grammar school.

They play the students being prepared for an Oxford University entrance examination,. Classroom antics include an hilarious scene where one of them ends up trouserless as the startled headmaster (Michael Penn) walks in.   One of the students is bedding the head's attractive secretary and there are even hints of gay activity, but while a few four-letter words fly around there's nothing offensive.

The lads also score as scene shifters, transforming the classroom into a locker room and back again for the clever set designed by David Tonks

Alan Lowe gives a superb performance as the eccentric, motorbike-riding teacher. To 16-04-11.

Paul Marston

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Godspell

Willenhall Operatic Society  

Dormston Mill Theatre, Sedgley  

***                  

Director-producer Andy Poulton has given the show a circus setting and it proves a colourful way of getting the religious message across.

Jesus becomes the ringmaster in red tail coat and top hat, Judas a clown and various other characters emerge as majorettes, a strongman, ballerina, cowboy, red indian etc . . .

Alf Rai, who has proved a real find, is excellent as Jesus, with Chris Dowen a confident Judas in his first principal role for the society.

A sparkling comedy performance, too, from Colette Forsyth (Joanne), and strong support is provided by Andy Robinson (Jeffrey), Lydia Lavill (Sonia) and Rob Lehman (Herb).

Choregography by Meg Dowen is impressive and the big numbers like Day by Day, Prepare Ye the Way of the Lord and We Beseech Thee bring out the best in the chorus, though on a few occasions words were drowned because the music was too loud.

Michael Cotton is the musical director. To 09-04-11.

Paul Marston

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Oliver!

Garrick Youth Theatre

Lichfield Garrick

****

HERE'S a cracking young company who have the audience - let alone Oliver Twist - pleading for more at the end of Lionel Bart's much loved musical.

Even adults would be satisfied with this performance which is jam packed with quality acting and singing from an enthusiastic cast of 50.

Oliver has been entertaining people for more than 50 years, and it's easy to see why. The story is good, the music excellent and it is ideal for youngsters taking early steps in the theatre.

The principals are superb, with Romayne Sturridge outstanding as that crafty rogue, Fagin, leading his gang of kiddy crooks with a brand of humour that is infectious.

Amy Mallaband sings beautifully in the role of Nancy and gravel-voiced Mark Johnson is a convincing as the brutish Bill Sykes.

Wonderful contributions, too, from Lewis Sanders (Mr Bumble), Georgina Jones (Widow Corney), Charlotte Middleton (Mrs Sowerberry), Joe Barnes (Mr Sowerberry, the undertaker) and Gus Wade (Oliver).

Directed by Julie Mallaband with Oliver Rowe's musical direction and choreographer Jemma Tiso earns top marks for the various dance sequences. Oliver runs to Saturday 09-04-11

Paul Marston

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Guys & Dolls

Walsall Operatic Society

Lichfield Garrick

****

NICELY done! Craig Smith, chairman of this talented society, takes one of the key roles in Frank Loesser's entertaining musical and becomes the star of the show.

Assistant head of a Wednesbury secondary school, he plays the ever-hungry Nicely-Nicely Johnson and his acting in the story of New York City gamblers, gangsters and Salvationists is spot on, topping a great performance with that sparkling number Sit Down, You're Rockin' The Boat.

Tom Fletcher is excellent as big time gambler Sky Masterson, though he could do with a sharper suit and hat, and Charlotte Mills proves the ideal missionary, Sgt Sarah Brown, despite a somewhat ill-fitting wig.

Paul Bickerton sparkles as the crafty rolling crap game organiser, Nathan Detroit, while Helen Figures proves a real hoot as the squeaky-voiced Miss Adelaide, star of the Hot Box night club and long-time fiancee of Detroit.

She has a big moment with her sexy female dancers who do a semi-strip in the other big number, Take Back Your Mink, and there is an impressive contribution from Les Middleton (Arvide Abernathy).

Richard Poynton directs, Michelle Baker is choreographer and Jack Hopkins musical director of a lively show that runs to Saturday night 19.03.11

Paul Marston

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High School Musical on Stage!

Wolverhampton Musical Comedy Company

Wolverhampton Grand Theatre

*****

Wolverhampton Music Comedy Company's production of Disney's High School Musical on Stage! is fun, high-energy family entertainment under the direction of Denise Robinson who is also choreographer and producer. 

Set in East High School, adolescent teenage sweethearts Troy Boulton (Tye Harris) and Gabriella Montez (Holly Stringfellow) have received a call-back after auditioning for the leads in the high school musical, Juliet and Romeo, but this conflicts with commitments to the basketball team and the science decathlon. Their friends engineer a way for them to attend call-back during the competitions. They win the parts much to the chagrin of Sharpay Evans (Kimberley Robinson) president of the drama club and school star and her twin Ryan (Pip Harper).

Tom Winfield plays Jack Scott and provides excellent links between scenes as the narrator. Boulton and Montez steal the show in the second half with Start of Something New.

Some of the dialogue was lost due to intermittent problems with the sound system or mikes but overall this was a highly entertaining, polished and very professionally delivered amateur production. A big well done to everyone involved.

Lynda Ford

 Meanwhile in the other class. . .

* * * 

A CASUAL glance round the audience on opening night provided an instant picture of who loves this Disney musical the most - youngsters and the young at heart.

Scores of children - mainly little girls - packed three levels of the auditorium, many dressed in red and silver dresses and waving pom-poms, just like the cheer leaders on stage, and parents were there too.

The company has risen bravely to the challenge offered by the cult show about rivalry at East High School in America, Denise Robinson, the director, producer and choreographer, has ensured that the numerous dances are superbly delivered, some of the movement being worthy of skilled gymnasts with its innovation.

Making his debut with the company, Tye Harris excels as Troy, with Holly Stringfellow an impressive Gabriella, and there are substantial performances from Kimberley Robinson (Sharpay Evans), Pip Harper (Ryan Evans), Tom Winfield (Jack Scott), Veronica Bould (Ms

Darbus) and Dexter Whitehead (Coach Boulton).

Karl Babarczi is musical director of the show in which one of the hit numbers, We're All in This Together, says it all. To 19.03.11

 Paul Marston

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The Mikado

Walsall Gilbert & Sullivan Society

Brownhills Community College Theatre

****

ON her debut as director-producer, Karen Lyon has brought a fresh and lively approach'. Working with her former school chum Rachel Eyre (musical director and Pittie Sing), she has introdcued new features that work well. The gentlemen of Japan appear as Kung Fu fighters with bamboo staffs.

 And there is a delightful moment during the singing of Tit Willow when a loveable bird puppet with a giant yellow beak accompanies Ko-Ko and, having plunged to its death, returns wearing a halo.

 Ian Askew excels as Ko-Ko, whose little list of people who never would be missed includes mobile phone users, girls who are ambitious to become soccer WAGS, and even tabloid journalists! But were cufflinks worn in ancient Japan?

 John Stacey is a confident Nanki-Poo, with a fine partner in Letty Cheadle (Yum-Yum), and strong support from Brian Marshall (Pooh-Bah), Michael Taylor (the Mikado) and Rachel Simpson (Katisha). Retired MD Brian Hirst has returned as guest conductor. To 26-02-11

Paul Marston

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Something's Burning

Fellowship Players

Grange Playhouse, Walsall

***

WHEN Nell Adams' husband suddenly deserts her she doesn't have much time to mourn the departure of the dodgy builder.

She is soon targeted by an equally suspect local teacher and poet, and the pair embark on a risky affair.

Jill Simkin is excellent as Nell whose initial rejection of the new suitor quickly disappears - but just how genuine is George Rush when he expresses his love for her?  Sam Evans perfectly reflects the unsteady character of George who gets a wake up call when an older man from the area, widower Jim, falls for her charms, too.

Gerry Joyce is an amusing Jim, involved in some lively verbal clashes with George as the two men almost come to blows in their attempts to claim the lady's affections.

Good supporting performances, too, from Charlotte Richardson (Nell's sister Gail) and Rachel Holmes (George's wife, Helen).

A well designed set by David Tonks helps the action of Eric Chappell's play, directed by Chris Pomlett. To 12-02-11 

Paul Marston

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Season's Greetings

 Lichfield Players

 Lichfield Garrick

****

JUST when you thought Christmas was over for another year, here comes Alan Ayckbourn's little cracker about a festive party for the Bunker family and friends.

It's an entertaining comedy, if a shade slow getting into top gear. Two scenes at the end of the first act and just before the close had large audiences in stitches.

The first highlight sees blonde hostess Belinda Bunker, enthusiastically played by Sarah Stanley, darting from room to room late at night with one of the guests, Clive (Ian Davies) with a lot more than a kiss under the mistletoe in mind.

And they accidentally set off one of the mechanical toys under the Christmas tree, bringing the rest of the household from their beds.

There's even a shooting incident and laughs galore when dodgy doctor Bernard (Brian Asbury) stages a puppet show while grumpy old Uncle Harvey chips in with his own sarcastic commentary. Tom Rowley is a hoot as the agony uncle, a former security officer who is convinced he has spotted a crook at the party.

The set, designed by Jim Warrallo, works particularly well in an enjoyable play directed by Barrie Atchison. To 05.02.

Paul Marston

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Creepy Hollow

Spotlight Youth Productions

Brownhills Community College Theatre                           

***

This young company describes its latest musical show as a scary panto, and it hits all the right notes.

Written by director Steve Groves, following an idea by Nigel Anderson, the story is set in the haunted Creepy Hollow Hotel and features a lively cast of ghosts and zombies.

There are many opportunities to introduce well-known songs, sometimes with a little twist, such as GhostDusters.  Inevitably Thriller is there, along with Monster Mash, and Karen Lyon's choreography enables the cast to move and dance in style suitable to the spooky scenario.

Andrew Cox is outstanding as the hotel's hunchback buter, Seymour – he could have been recruited from the Rocky Horror Show - and his duet, Suddenly Seymour, with the cook, Mrs B (impressively played by Lucie Bunce) is a genuine highlight. To 29.1.

Paul Marston

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The Sleeping Beauty

Aldridge Youth Theatre 

****

THE Youth Theatre's version of the traditional story, written and directed by Neville Ellis, is a real cracker. 

It is fresh, lively, colourful and includes clever new features which are thoroughly exploited by an enthusiastic cast of more than 50 youngsters.    

The show doesn't end with a kiss from the handsome prince awakening Princess Rose from her 100-year sleep. She turns down his offer of marriage until he kills a dragon and wins her love. 

Joseph Cryan gives a professional-quality performance as Nanny Gripewater and Savannah Cook also attracts plenty of audience participation as the evil Fairy Mildew. 

There are sparkling comedy turns from George Caulton as Private Barrel, the soldier with a strong Black County accent, and William Young, a little gem as Cuddles the jester.    

Guy Rowlands (piano) and Raymond Vale (drums) provide the music. Full marks to the parents and helpers who created the costumes and scenery. To 22.1.

Paul Marston

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Songs for a New World

Not So Productions Grange Playhouse, Walsall

****

HAVING pledged to bring some of the most innovative and new musicals to the Midlands, this exciting young company can look upon its latest production as a triumph.

Jason Robert Brown may not be a household name over here, but the American song writer and lyricist has talent which comes bursting through in a revue-type show containing music for just about every emotion.

Although the vocally-demanding score is a stern challenge, Karen Cockitt, Timothy Gough, Kate Rock and Richard Haines come through with flying colours, whether in solos, duets or as a foursome.

The songs deal with a particular moment in different individuals' lives - and the cast, who have all enjoyed key roles with Brownhills Musical Theatre company in the past - show a keen appreciation of the situations involved.

There are humour, sadness and pathos in the music, and Sarah Haines' choreography helps the visual quality of a show well directed by Dexter Whitehead, who described it as one of the most exciting pieces he had ever worked with.

A strong performance by the four-piece band, directed by Matt Walker, is vital to the success of the revue. To 27.11.

Paul Marston

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Summer Holiday

WBOS Youtheatre

Lichfield Garrick                                                                        

**** 

THE young company delivers an energy-packed show in John Wetherall's production, with clever dancing to Lisa Metcalf's choreography.   

Four London bus mechanics, led by Don (George Stuart), decide to convert a red bus into a mobile holiday home and head for the South of France, giving a lift to stranded girl band en route, then collecting a stowaway 'boy' who turns out to be a well known girl singer.   

George Stuart (Don) excels with his singing, forming an excellent partnership with Abigail Poulton (Barbara), and there are fine comedy spots featuring Grace Wyatt (Stella) and Connor Bacon (Jerry).   

Some early hitches with the sound equipment didn't unhinge the cast who impressed with top Cliff Richard songs. Musical direction is by Ian Stephenson. West Brom's got talent.

To 13-11-10.

Paul Marston

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Return to the Forbidden Planet

Bilston Operatic Company

Grand Theatre, Wolverhampton

 ***

A RATHER slow lift-off doesn't deter this company as it stages Bob Carlton's spaceship musical. 

It does eventually hit the booster button, the improvement coinciding with the arrival of roller-skating robot Ariel (Jon Dempsey), who glides smoothly round the stage and, at one point, even pops up in the stalls shaking hands with the 'passengers'. 

He also sings well as the cast light up the show with its rock 'n' roll hits.   

Stephen Harper impresses as Prospero, and Amy Spinks provides the love interest as his daughter, Miranda, who takes a shine to the spaceship commander, Captain Tempest (David Walters). 

Although the set works reasonably well, and BBC newsman Nick Owen is amusing with his recorded narration on the spaceship screen, the space monster's giant tentacles didn't look too good when they flopped through the roof with supposed menace. 

Direction is by Simon Pugh with Bambi Dahmi's choreography and Peter Smith's musical direction. To 13-11-10.

Paul Marston

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A Night at the Musicals

Brownhills Musical Theatre Company

Brownhills Community Theatre 

**** 

ALWAYS prepared to try something different, this excellent company includes puppets in its latest spectacular show and it works a treat.

 The muppet-sized, hand-operated creations are used in a selection of numbers from Avenue Q, and the first night audience loved them, particularly the humorous If You Were Gay.

 Members of the cast operate the puppets while they sing five songs, and they manage to get the mouth movements near perfect.

 The show, produced by Pete Smith and Tim Jones, opens with Dave Hayward and the ensemble in Bohemian Rhapsody, from We Will Rock You, followed by a real bonus as young Georgia Holmes and the children sing and act scenes from Annie.

 Paul Bailey, Elizabeth Casey and Kate Rock impress in a selection from Anything Goes, and John Cruxton and Colin Coleman sparkle in Always Look on the Bright Side of Life, from Spamalot, and Julie Lomas sings Whatever Happened to My Part with real feeling.

 A great show ends with five numbers from Hairspray. Colourful costumes, exciting To 13.11.

 Paul Marston

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Mary Stuart

Crescent Theatre, Birmingham

*****

THE intimacy and connection between actors and audience are wonderful, as one is able to catch every nuance, expression and vocal intonation in an exceptional theatrical experience. 

Friedrich Schiller's play has been given a new translation by director Andrew Cowie, and the stark stage setting and subtle lighting make for clever use of scene changes and focus the emphasis on the text and the storyline. 

Karen Leadbeter, as Catholic Mary Stuart, delivers every line with strength and passion. Imprisoned for 19 years, and usurped by her Protestant cousin Elizabeth I, Mary seeks reassurance from friend and former lover, Lord Leicester, played with warmth and compassion by Stewart Snape. 

Lord Burleigh is played with just the right amount of anger and menace by Colin Simmonds. Naomi Gilbert, as the regal, virgin Queen, makes her first, majestic entrance in full, opulent Tudor splendour, so, top marks for wardrobe mistress Anne Curry. 

Congratulations to all the cast and backstage team for a truly thought-provoking production. To 13-11-10

Elizabeth Smith

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Orpheus in the Underworld

Erdington Operatic Society

Sutton Coldfield Town Hall

****

THE company can feel well satisfied with its staging of Offenbach's colourful operetta - a romp, full of energy and imagination.    

A few weeks before the show opened, a leading member of the cast had to drop out through family illness, but Letty Cheadle stepped in to fill the role of Eurydice with aplomb, while Colin Lapworth - also director and choreographer - proved an amusing Orpheus. 

A fine performance, too, from Pam Cooper as Calliope, and Paul Wozniak was a hoot as the super-fit Mercury, darting on and off stage like some demented soccer sub. 

David Allen was musical director of a devilishly good show.     

By the way, this is one of the few societies - is there another? - who always play the National Anthem before curtain up.

To 6-11-10 

Paul Marston

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Jesus Christ Superstar

West Bromwich Operatic Society

Alexandra Theatre Birmingham

***

Jesus Christ Superstar is now 40 years old. If that puts the writing into its mid-life, there was certainly no crisis in WBOS energetic resurrection. 

With its overtones of a black pagan mass, this production has ambition to punch well above its weight and at times achieves it.  

Possibly benefiting from their week at the Wolvehampton Grand, the entire cast was position perfect and `in the moment' in every scene.  

SUPERB VOCALS

There really were no weak vocal performances although lack of good mic technique occasionally sent a few notes into distortion .The clearest surprise was the young Lydia Hackett who crafted her superb vocals and acting into a mature compassionate Magdalene.

On every level there's plenty to at look at. Herod's song featuring John Wetherall was the most surprising with its Fosse like choreography and scantily clad decadence that would not have gone amiss at a Madonna concert.  

It's not all gimmick, the glitter just serves to effectively contrast the pain and emotional depth of the more torturous scenes. 

Possibly out of respect, the curtain call was taken in somber character but against the elated audience applause though, I kept thinking, smile a little, this is a big production and you just nailed it. 

Jeff Grant

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Jekyll and Hyde – The Musical

Lichfield Operatic Society, Lichfield Garrick

***** 

Lichfield Operatic Society have triumphed again with Leslie Bricusse's Jekyll and Hyde - The Musical. The show is jaw-droppingly good and there is absolutely nothing amateur about this production; the show is full of ‘best bits' and closed to a long and enthusiastic standing ovation. 

The three principle characters are perfectly cast. Eoin Edwards plays Dr Jekyll and Mr Hyde, Kerri Davies is the doomed tart with a heart, Lucy Harris, and Jenny Barlow-Jennings, the new girl on the block, plays Jekyll's fiancé, Emma Carew. The trio are all very talented and accomplished actors and songsters. 

There are many words to describe the show; special, extraordinary, skilled, expert and accomplished are but a few. The whole production team and cast did a marvelous job and the orchestra, lead by Oliver Rowe, was outstanding, particularly the percussion section.   

Just a final note, and not a criticism at all, but the band momentarily overpowered the narrator in the opening scene and in the final moment of the show there was a bit of feedback from Emma's mike. Still a five star show though. To 6-11-11

Lynda Ford

All change . . .

****

IF you hadn't read the posters you would never know this was an amateur production.

 And that is a tribute to a fine cast and production director Julie Mallaband who have put together a terrific show from the adaptation of Robert Louis Stevenson's classic tale.

There is plenty of humour, colour, impressive choreography and songs - none better than This is the Moment, sung by Dr Henry Jekyll as he prepares a dangerous experiment on himself to prove his claim that good can be separated from evil in man.

 Eoin Edwards is magnificent as Jekyll, particularly when he transforms to the murderous, manic Hyde, simply by ruffing up his hair, altering his expression and body shape and giving his voice a blood-curdling growl.

 A stunning performance, too, from Kerri Davies, playing the beautiful prostitute, Lucy Harris who gets involved with both Jekyll and Hyde, though the moment her body is dragged off stage, feet first, in semi-darkness - but spotted by the chuckling audience - needs attention.

 Jenny Barlow-Jennings impresses as the doctor's fiancée, Emma Carew, with high marks for Paul Roberts as John Utterson, Mark Johnson (Spider) and Dan Anketell who took over the role of Simon Stride at short notice after 19-year-old Nick Lawrence collapsed during rehearsals.

Oliver Rowe is musical director and Jemma Tiso the choreographer.

Paul Marston

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Jesus Christ Superstar

West Bromwich Operatic Society

Wolverhampton Grand Theatre

**** 

WBOS have undertaken the huge commitment to perform Andrew Lloyd Webber and Tim Rice's dramatised musical, Jesus Christ Superstar, for two consecutive weeks in two theatres.*  

The show gives a view of the mental and physical torture of Christ in his last week on this earth and, whilst set to rock music, is definitely not light-hearted. 

The whole cast made a splendid effort despite issues with the sound in the first act which detracted somewhat from performances. I suspect some first night nerves as well. Individual performances in the second act were more assured, much improved and promise even better for future.  

Tim Prottey-Jones plays the ‘haunted and hunted' Christ.  In Act I he did a good job with some difficult pieces but in Act II he really found his voice. Lyndon Flavell (Judas) gave a high-energy performance. Lydia Hackett has a great voice and her moving depiction of Mary Magdalene was a performance to note. 

Best song of the night was I Don't Know How To Love Him. I also enjoyed the lighter King Herod's Song and the happy, clappy Superstar.   A big well-done to the orchestra. 

The simple set was transformed through imaginative lighting and the crucifixion of Christ, whilst sad, was a powerful vision. The show is dedicated to Peter Davis who was to have directed the show but sadly died earlier this year. To Oct 30

Lynda Ford 

Second coming . . .

****

 THE highly talented company has accepted a difficult challenge in staging this Tim Rice/Andrew Lloyd Webber musical in professional theatres on two successive weeks, but the amateurs are turning it into a triumph.

 On the 40th anniversary of the show, they will follow a week at the Grand with another at Birmingham's Alexandra Theatre, and a treat for audiences is guaranteed.

 This rock opera tells the story of the last seven days in the life of Jesus Christ, and while it is a tense tear-jerker at times, there are lighter moments too, particularly when the portly King Herod (John Wetherall) sings his personal challenge to the doomed Jesus.

And the attractive girl dancers sparkle to the choreography of Claire Kramer during Herod's big scene, which contains some very sexy contortions.

Tim Prottey-Jones, in his first appearance with the company, is an impressive Jesus, delivering a powerful Gethsemane, though I am not sure about that jet black wig, and the crucifixion scene needs attenton. On opening night there was too much fumbling by soldiers attaching him to the cross, losing some of the dramatic effect.

 There are outstanding performances from Lyndon Flavell (Judas) and Lydia Hackett (Mary Magdalene), with strong contributions from Craig Smith (Annas), Callum McArthur (Caiaphas), and Luke Hopson, Simon Peacock and Roger Shepgerd as the priests.

 Directed by Tim Brown and produced by Mike Capri, with Jonathan Hill's musical direction.

Paul Marston 

* The show moves to the Alexandra Theatre on Tuesday 2^nd November through to Saturday 6^th November 2010.

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The Crucible

The Circle Players

Aldridge Youth Theatre 

***** 

THIS dramatic and haunting play by Arthur Miller brings out the best in this company, surely one of their finest productions since they were formed in Kingstanding 76 years ago.

It grips the audience from start to finish, the only respite being  the flute music from Sarah Broder  during scene changes ending with Amazing Grace. Delightful.

The story focuses on the Puritan purge of witchcraft  in old Salem in 1692, the author drawing a parallel with America's fear of Communism in the 1940s and 50s.

Wearing period costumes, the cast of 25 - including children - deliver a memorable performance. Thom Handley is magnificent as farmer John Proctor, whose courageous defence of his wife accused of witchcraft eventually threatens his own life.

Clive Barlow is a superbly menacing Deputy Governor Danforth, and there are other outstanding contributions from Fay Mason, as Proctor's loyal wife, Elizabeth, Eleanor Ball (Abigail Williams), Stan Hubbard (Rev Samuel Parris), Alex Howell (Rev John Hale), Rebecca Lucas (Mary

Warren), Lee Tregellis (Judge Hathorne) and Ian Toulouse (Giles Corey). Directed by Liz Daly. To 23-10-10. 

Paul Marston

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Spring and Port Wine

The Fellowship Players

The Grange Playhouse, Walsall

****

THIS Bill Naughton play provides a fascinating look at what life was like for a typical working class Lancashire family in the early 1960s.

Seems hard to imagine, in this day and age, how stern father Rafe Crompton could dominate his wife and four growing-up children so comprehensively, but times have changed and the comparison is interesting.

Chris Pomlett (did they wear black shirts in those days) gives a totally convincing performance as Rafe who keeps his loyal wife, Daisey, so short of cash she has to resort to all kinds of schemes to cope, yet there is plenty of money locked away in dad's desk.

He is at his best in the scene where he delays dinner while carrying out an extraordinary 'witch-hunt' into who gave a lone herring to the family cat when he was determined to make reluctant daughter Hilda eat it.

Sue Richardson is impressive as the downtrodden Daisey, desperate to keep her children happy and, despite her own financial worries, still managing to help out her scrounging neighbour, Betsy Jane (Charlotte Richardson).

Eventually the four children - Florence (Rachael Holmes), Wilfred (Adam Purchase), Harold (Sam Evans) and Hilda (Naomi Millard) - reach the point of revolt, but their father is not easily beaten.

Dale Roberts, family friend Arthur, completes fine cast in a play directed by Anne Chamberlain. It runs to Saturday night October 16, and the excellent set for the Cromptons' home, designed by David Tonks, adds realism.

*The family's fluffy white cat in this production was clearly a cuddly toy, so why the note on the foot of the programme: "We would like to reassure patrons that no animals have suffered in any way during this production"? To 16.10.10

Paul Marston

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Khaotic - The Fred Karno Story

From The Top Theatre Company

The Old Rep

****

NEARLY everyone over a certain age will know, and probably have used, the expression 'just like Fred Karno's Army', many not having a clue who the man was.

It was that comment, from a friend describing apparent chaos in the author's Lichfield office, that led Streetly-born David Crump to start researching into the man dubbed the King of Comedy, and this excellent new musical is the result.

The show is having its world premiere in Birmingham this week and is certain to be in great demand when it becomes available to amateur companies from next Spring.

It contains some fine original music by Peter Smith, with Crump's lyrics, and gets an extra fillip from such memorable old music hall songs as Waiting at the Church, The Boy I Love is Up in the Gallery, All the Nice Girls Love a Sailor and It's a Long Way to Tipperary.

Fred Karno began his showbiz career as an acrobat, but went on to discover many talented performers, including Charlie Chaplin and Stan Laurel, and his shows toured the world for 30 years.

The new musical is presented in a lively, entertaining style, with Michael Fleming impressive as Karno's eldest son Freddie. In that role he also acts as compere, as well as turning his hand to being a policeman, barrister, reporter and a few other characters.

David Crump leads from the front as the ambitious Karno, and his wife Debbie gives a fine performance as Mrs Edith Karno who has to cope with her talented husband's moods and infidelity.

Charlotte Gessey is a convincing Marie Moore, the attractive younger woman for whom Karno leaves his wife, and there is a wonderful moment when Steve Birch, playing Stan Laurel crashes on to the floor with his boss and produces a stunning replica of the great star's unique facial expression.

Produced by Jan Chambers, this endearing musical will be visited by some of Karno's relatives before it closes on Saturday night 09.10.10

Paul Marston

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