Mozart’s
The Magic Flute
was presented as a new English version by librettist, Glyn Maxwell and
performed by OperaUpClose.
The company have earned
critical acclaim with their previous English language re-imaginings of
operas, including La bohème
and Carmen,
gaining an Olivier Award with their unusual adaptations and somewhat
quirky style.
The open set with its neon signs and urban
background rumblings gave a pleasing sense of anticipation, with added
sirens indicating the start of the show.
The on-stage accompaniment of piano, double base,
guitar and reed instruments opened with the overture whilst the six
actors played out various scenarios on the centrally positioned revolve.
We are invited into London’s most exclusive club
where the action begins. Tamino has no time to stop for vagabonds, the
paparazzi or even his girlfriend, Pamina, but, at the first revolve we
see them retiring to bed after a blazing row. They relive their
encounters of the evening in dreams made extraordinary by the lateness
of the hour, their befuddled senses and perhaps, a touch of magic!
Although an interesting concept, with a host of
innovative ideas, such as modern-day street language, and particularly
the inventive use of mobile phones, the cumulative effect was overall
rather confusing and at times, difficult to follow.
However, this didn’t detract from the talented
company of six who’s harmonisations were melodious, strong and full of
expressive content. However, to a purist opera follower, this may not
have been their operatic cup of tea, but it is always good to see
different approaches to a classical work and the audience at this one
night performance gave appreciative applause at the end.
A special mention must go to the orchestra under
the musical direction of pianist, David Keefe. Beautiful playing
throughout.
